Luisa Rabbia: A Sense of Kinship

Luisa Rabbia employs the human form to express existential themes, ranging from physical and spiritual transformation to the interconnectivity of all beings. Despite its figurative aspects, her eclectic body of work, consisting of sculptures, installations, drawings, and animated videos, tends toward abstraction.

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Daniel Wiener: Trojan Horses

When a natural environment is confronted with contaminants, it responds with instability and disorder. One of the byproducts of contamination is “outcrossing,” a process that allows recessive traits to migrate across a population, adding diversity and strengthening certain characteristics.

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Bernardi Roig

Washington, DC The Phillips Collection The latest exhibition in the “Inter­sections” series at the Phillips Collection featured Bernardi Roig—one of the most intriguing artists working in Spain at present. In the spirit of the overall series, curator Vesela Sretenovic invited him to engage the museum both as an institution and as the former home of

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Mie Olise

Los Angeles Samuel Freeman Gallery “Noplacia,” the title of Danish artist Mie Olise’s recent exhibition, is taken from the opening line of the poem that introduces Thomas More’s Utopia (1516). More invented both word and concept, basing his visualization of a perfect society on Plato’s Republic.

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Zhang Huan

New Windsor, New York Storm King Art Center Zhang Huan’s multi-disciplinary blockbuster show at Storm King offered a material exercise in storytelling that turned on his biography and laid out his views on Chinese tradition, religion, and politics.

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Brenda Garand

New York Lesley Heller Workspace Brenda Garand’s sculpture series “Northern Passage” reflects on the devastation caused by Tropical Storm Irene (2011), including the destruction of her Vermont studio on the White River. Garand’s notions of nature and culture evoke her French Canadian, Abenaki, and British heritages.

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Todd Slaughter

Cincinnati Alice F. and Harris K. Weston Art Gallery At first glance, “Todd Slaughter: American Primitives” might have seemed designed to amuse and delight, but that’s too easy. Slaughter wants people looking at his work to think.

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Kate Ritson

San Antonio Southwest School of Art Kate Ritson, a professor of art at San Antonio’s Trinity University, has unveiled a new body of work after a difficult decade spent caring for aging parents and dealing with her own health issues.

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