Nacida en Asunción, Paraguay, Claudia Casarino encuentra en las instalaciones y esculturas el lenguaje plástico acorde a un trabajo donde los textiles operan como espacios de inscripción de los cuerpos y el contexto social que habitan.
Live Moment: A Conversation with Monster Chetwynd
Drawing on theater, carnival, ritual, and the amateur spectacle, Chetwynd’s performances—complete with handmade costumes, improvised architectures, papier-mâché props, oversize masks, and an ever-changing cast of collaborators—are at once exuberant and deeply considered, embracing uncertainty as a condition of the live event.
In Ruins: A Conversation with Mounir Fatmi
Part archive and part archaeological experiment, Mounir Fatmi’s work draws on his early experiences of a flea market in Tangier. Using defunct antenna cables, typewriters, and VHS tapes, he exploits the finite lifespan of technology and consumer goods to question the limits of memory and communication.
Beyond Explanations: A Conversation with Benjamin Orlow
Benjamin Orlow is primarily known for video works and figurative sculptures that he builds in situ out of clay or has cast in bronze—works that play out over considerable periods of time not only during their creation, but also for the viewer.
Interrogating Systems: A Conversation with Tavares Strachan
MacArthur recipient Tavares Strachan describes himself as an explorer and storyteller. As an artist, he has developed a unique practice that blends art, science, music, and cultural inquiry. His range of inquiry is as large as the knowledge systems that have fascinated him since he was a child—themes of visibility, inclusion, space travel, and the
In Proximity: A Conversation with Elizabeth Atterbury
Deep care and connection define Elizabeth Atterbury’s sculptures and their arrangements. Visually stunning surfaces, created in wood, clay, metal, and stone, are felt through the body.
Productive Tension: A Conversation with Nairy Baghramian
Baghramian shuns prescribed meanings, leaving her work open-ended and vulnerable. Equally wary of perfection, she rejects any form of idealization; instead, as she says, she “prioritiz(es) the perspectives of children.”
Body As Building: A Conversation with Antony Gormley
In works such as Innercity (2026), the distinction between sculpture and architecture begins to collapse. Bodies become buildings; buildings become bodies as visitors enter and navigate the interiors of sculptures in which space ceases to be a backdrop and becomes the work itself.
Danielle Julian Norton: Working Differently
Danielle Julian Norton understands the hold that systems of power have on contemporary life. Through acts of resistance—quiet, humorous, thoughtful, and based in care (the antithesis of oppression)—she examines the present and gives us a hopeful vision of the future.
Conceptual Burden: A Conversation with Jim Sanborn
For Jim Sanborn, who has been creating science-based public artworks, installations, and sculptures for several decades, art-making doubles as an exploration of hidden worlds, a way to “make the invisible visible.”
