Davide Allieri creates an undefined place of speculation in his current exhibition “47°24’35’’N / 9°44’20’’E.” Despite a title that records the factual coordinates of Kunstraum Dornbirn, this mysterious environment plunges viewers into a liminal, unmappable scenario dominated by two core elements—MECHA_01 115MZ (Protective Suit) and Hypocenter System (both 2026).
Grounding and Elevation: A Conversation with Moshe Roas
Moshe Roas fuses a wide range of seemingly incongruous materials into sculptural works that balance weight and texture to achieve a kind of equilibrium, joining above and below into a new conceptual world. “Knop and Flower,” his current exhibition at the Haifa Museum of Art in Israel (on view through June 27, 2026), continues the
Nature’s Order: A Conversation with Leandro Erlich
“Wearing cement shoes” and “sleeping with the fishes”—phrases borrowed from Mafia lore and immortalized in The Godfather and other gangster films—came to mind as I descended in a weighted vest toward Concrete Coral (2025), Leandro Erlich’s new underwater sculpture and marine habitat.
Sociedades microscópicas: Una Conversación con Adriana Antidín
Adriana Antidín, nacida en Buenos Aires, es Profesora Nacional de Pintura y Escultura de la Escuela Nacional de Bellas Artes Prilidiano Pueyrredón. Entre 2004 y 2018 se desempeñó como asistente en el taller de la artista Nora Correas.
Jackie Ferrara: “Had my name been Jack, I’d really be famous now”
Recipient of the 2026 Lifetime Achievement Award In Memoriam Known for stacking lengths of wood into structures that resemble pyramids, stairways, and towers, Jackie Ferrara (1929–2025) imbued the sleek forms of Minimalism with an aura of ancient mystery.
Archaeology of the Self: A Conversation with Mark Manders
Few artists have constructed worlds as singular, cohesive, and quietly radical as those of Mark Manders. For more than three decades, he has been adding to what he calls his “self-portrait as a building”—not a metaphor, but a monumental, ever-expanding structure composed of sculpture, language, and thought.
Tentacular Thinking: A Conversation with Nicola Turner
Nicola Turner’s practice is profoundly ecological. She works with waste material—mainly raw, untreated wool—and reuses it wherever possible. The wool is often sourced from where she lives or where she has been invited to work and/or exhibit, and she employs it, in combination with horsehair, wood, metal, and other recycled materials, to make large-scale, site-responsive forms
Detrás del germen del mal: Una Conversación con Gabriel Baggio
Gabriel Baggio, licenciado en Artes Visuales por la Universidad Nacional de las Artes—donde también es profesor—y director de la Licenciatura en Prácticas Artísticas Contemporáneas de la Universidad Nacional de San Martín, hace una lectura del mundo que habitamos desde el lenguaje performático como herramienta para poner al cuerpo en el centro de la actividad creativa,
From the Underworld to the Sky: A Conversation with Joan Danziger
Though Joan Danziger’s imagery gestures toward Surrealism, her sculpture resists classification. Her visual language is distinctly her own, drawn from observation, dreams, and the intuitive relationship between matter and fantasy. Over the course of more than 60 years, she has constructed not just forms, but an entire cosmology, one in which imagination serves as the
Vulnerability Hangover: A Conversation with Thomas Houseago
There are moments in art when the creative act feels inseparable from survival, a source of sustenance as much as vision. An acute tension between fracture and form, between vulnerability and vigor, runs through the work of Thomas Houseago.
