For Jim Sanborn, who has been creating science-based public artworks, installations, and sculptures for several decades, art-making doubles as an exploration of hidden worlds, a way to “make the invisible visible.”
Anton Alvarez
HELSINKI Helsinki Contemporary Anton Alvarez’s “The Colour of Gravity” opens whole other worlds of shaping clay. Driven by experimentation and technical innovation, the Swedish Chilean artist distances himself from traditional processes.
Arquitectura de los vínculos humanos: Una Conversación con Diana Schufer
La artista visual argentina y licenciada en psicología Diana Schufer se apoya en instalaciones, videos y objetos donde, a través del abordaje de las relaciones humanas, genera experiencias inmersivas que ponen en crisis los límites entre lo público y lo privado.
Jasmine Togo-Brisby
GLASGOW Gallery of Modern Art A sweet, earthy aroma of molasses hits you at the entrance to “Liquid Land,” Jasmine Togo-Brisby’s debut European solo exhibition. The smell emanates from a large, corrugated steel drum resting on wooden railway sleepers just outside GoMA’s ground-floor gallery, where it serves as the perfect introduction to a richly atmospheric exploration of memory and belonging.
Parallel Evolutions: A Conversation with Katja Novitskova
Estonian-born, Amsterdam-based Katja Novitskova explores how technological tools influence our approach to the natural world, shaping perception and mediating experience. Exploiting the disconnect between physical reality and its digital representations, her sculptures and installations provide an alternative interface where technology and nature can interact in complicated, layered, and generative ways.
Discipline and Routine: A Conversation with Augustas Serapinas
In “Physical Culture,” Lithuanian artist Augustas Serapinas’s current exhibition at Nottingham Contemporary, visitors are invited into a hybrid performance space, drawing studio, and fully operational gym, where a range of Jesmonite sculptures have replaced conventional weights.
Magdalena Petroni
QUEENS, NEW YORK SculptureCenter Over the course of six weeks, the Santiago-based artist scavenged materials from Queens junkyards, sidewalk trash piles, and thrift shops to build a dismembered replica of a corporate office.
vanessa german: leap, all who are heavy laden
vanessa german’s “…do you remember when you were the sky?” is dedicated to the residents of the Colored Girls Dormitory of the Louisville Industrial School of Reform (constructed in 1894–96). Though this former space of enclosure has largely been lost to memory, the original building remains, just a stone’s throw away from german’s exhibition at the Speed Art Museum in Louisville, Kentucky.
Whitney Biennial 2026
NEW YORK Whitney Museum of American Art Deciding against clear-cut themes, curators Marcela Guerrero and Drew Sawyer have loosely organized the show around concepts of kinship and infrastructure. Kinship, as expressed in their selections, not only accents the interdependence and shared affinity of relationships, but also deconstructs notions of singularity, especially around the body and gender.
Florence Peake
ARBROATH, SCOTLAND Hospitalfield In “Your Meaning Not Your Materiality (YMNYM)” (on view through October 4, 2026), Florence Peake presents a new series of fugitive, fragile, and strongly emotive sculptures.
