NEW YORK P·P·O·W The redundancy is in many ways the point, placing the cutouts in competition with one another, for the eye can only focus on one at a time.
Anderson Borba
THORNHILL, SCOTLAND Cample Line Made predominantly from found wood, the sculptures are variously carved, gouged, burned, glued, painted, and lacquered. Many incorporate busy, colorful collages of images cut from magazines and pasted into cuts, crevices, and the inside of carved holes or wrapped around blocks of wood.
Nature’s Order: A Conversation with Leandro Erlich
“Wearing cement shoes” and “sleeping with the fishes”—phrases borrowed from Mafia lore and immortalized in The Godfather and other gangster films—came to mind as I descended in a weighted vest toward Concrete Coral (2025), Leandro Erlich’s new underwater sculpture and marine habitat.
Sociedades microscópicas: Una Conversación con Adriana Antidín
Adriana Antidín, nacida en Buenos Aires, es Profesora Nacional de Pintura y Escultura de la Escuela Nacional de Bellas Artes Prilidiano Pueyrredón. Entre 2004 y 2018 se desempeñó como asistente en el taller de la artista Nora Correas.
Jennie Jieun Lee
RIDGEFIELD, CONNECTICUT The Aldrich Contemporary Art Museum Encountering Lee’s glaze mixing and handling on a monumental scale is a delight, and it also make the muted ceramic sculptures pop.
Jakkai Siributr
NEW YORK Canal Projects Because There’s no Place is ongoing, Siributr’s practice presents a repository of lived experience. As long as the stitching continues, repair is not a completed act but a constantly evolving process.
Sagarika Sundaram
LONDON Alison Jacques Employing spiral and mandala motifs, as well as cuts, folds, and layering, these primarily fiber works, which the artist calls “painterly sculpture,” contain a dynamic energy that induces a feeling of flow and movement, experienced as a kind of heady dizziness.
Jackie Ferrara: “Had my name been Jack, I’d really be famous now”
Recipient of the 2026 Lifetime Achievement Award In Memoriam Known for stacking lengths of wood into structures that resemble pyramids, stairways, and towers, Jackie Ferrara (1929–2025) imbued the sleek forms of Minimalism with an aura of ancient mystery.
Archaeology of the Self: A Conversation with Mark Manders
Few artists have constructed worlds as singular, cohesive, and quietly radical as those of Mark Manders. For more than three decades, he has been adding to what he calls his “self-portrait as a building”—not a metaphor, but a monumental, ever-expanding structure composed of sculpture, language, and thought.
Ilana Halperin
EDINBURGH Fruitmarket Gallery Halperin’s practice offers a meditation on human and geological life spans, melding our fleeting years on this planet with the vastness of deep time. In bringing the two together, she suggests that they are one and the same, that our relationship with the world we briefly inhabit is defined by connection rather than separateness.
