GLASGOW Tramway Daoist thinking posits that everything in our world is connected by a unifying life force, and Song emphasizes this belief by describing many of the exhibition’s elements as aspects of tua mak’s dispersed being.
Yoko Terauchi
LEEDS, U.K. Henry Moore Institute Born in Tokyo in 1954, Terauchi studied sculpture at St. Martin’s from 1979 to 1981 and then received a Henry Moore Fellowship to attend Camberwell School of Art (1983–84). In April 1984, she completed a week-long performance-cum-sculpture project at Leeds City Art Gallery, documented in this show, during which she constructed sculptures in front of an audience.
Mary Miss’s Photodrawings: Temporal Experience of Place
Photography typically tells a story or records an event. For Mary Miss, it does both. Her photodrawings, as she calls them, not only document her indoor and outdoor installations, but also give viewers a sense of the architectural character of her constructions.
CFGNY: The Matter of Mediation, the Labor of Maintenance
A full-size stepped bridge wrapped in brown synthetic fur straddles the front gallery of Amant in Brooklyn, arching above the concrete floor. Around it, 20 glazed ceramic tiles are arranged on mirror-topped, framework plinths of varying heights to construct an uneven terrain.
Taking Risks: A Conversation with Axel Straschnoy
Helsinki-based Argentinian artist and filmmaker Axel Straschnoy probes scientific phenomena, astronautics, and the social and political facets of the human quest for knowledge. His conceptually inflected, research-driven projects can take many forms, yet they remain connected by a wide-angled, dynamic approach.
Carol Bove
NEW YORK Solomon R. Guggenheim Museum Beyond the works themselves (100 selections, including 27 large-scale sculptures), chosen to show a virtuoso mastery of material and form, Bove addresses her concern that museums are often “full of microaggressions,” treating the guest as merely “a body that carries around a mind.”
Peaceful Terrain: A Conversation with Igshaan Adams
Igshaan Adams weaves everyday materials—beads, chains, twine, fabric, plastic, wood, and wire—into mesmeric sculptural installations. His interest in weaving grew from childhood encounters with the baskets that his family collected in Bonteheuwel, a Cape Town suburb, and reflects his memories of apartheid-era South Africa.
Harriet Bowman
LONDON Standpoint Gallery Why horsehair? This traditional upholstery filling comes from a creature whose toil was supplanted by the combustion engine (recalled, by way of tribute, in the measurement of horsepower).
Fracturas del lenguaje: Una Conversación con Michele Lorusso
Nacido en Puerto Vallarta, México, Michele Lorusso obtuvo su maestría en Artes (MFA) en CalArts (California) en 2025, y estudió Creación Literaria y Literatura en la Universidad para su licenciatura en Casa Lamm (Ciudad de México) en 2014 y en Naropa University (Colorado) en 2016 donde se graduó.
Language Is Just Skin: A Conversation with Thomas Müller
Thomas Müller’s practice highlights the importance of the handmade and the meaning of material choices in an odd way. His work relies on inbuilt contradictions of intact/broken, coherent/indistinct, permanent/ephemeral, and manifest/implied, which all relate closely to the still-life trope and its associations with life, decay, and death.
