Oren Pinhassi

LONDON Edel Assanti and St Cyprian’s Clarence Gate The anthropomorphic sculptures of Israel-born, New York-based Oren Pinhassi hold up a strange, disconcerting mirror to humanity. Though vaguely like us in appearance, their forms call to mind structures built for specific functions. If a voting booth or a urinal, for instance, were to mate with a human, this is what their offspring might look like.

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Coral Lambert

MINNEAPOLIS NE Sculpture Gallery|Factory Equal parts grit and fantasy, “Alternate Worlds” (on view through June 12, 2021) is Coral Lambert’s response to life in the time of a pandemic. The show consists of recent cast iron and bronze sculptures, photographs, prints, and a video projection that collectively function in the seemingly liminal space between “twilight and dreams.”

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Rafael Domenech

BEIJING Hua International Cuban-American artist Rafael Domenech contends that exhibition-making is an expanded form of publishing, an active site of production. His current exhibition, “Imperfect Fragments of an Uncertain Whole” (on view through June 18, 2021), presents a multipart installation consisting of a table, handmade artist books, mobile light sculptures, and ceiling tiles, all made between 2018 and 2021, as well as a large outdoor sculpture in a nearby public square.

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Between Playful and Disturbing: A Conversation with Permindar Kaur

Approaching the familiar as though it were a fairy tale, Permindar Kaur uses the uncanny as camouflage in order to re-explain ordinary things. In “Home,” her current exhibition at Howick Place in central London, she continues her exploration of “private” and “public” by uprooting basic domestic objects and reintroducing them as freakishly distorted furnishings that enjoy the safety of the exhibition space while wanting to be free of it.

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Andy Moerlein

BOSTON Boston Sculptors Gallery To walk into Andy Moerlein’s “wood stone poem” (on view through June 6, 2021) is to enter a magical space, filled with fanciful and ecstatic forms stretching out in welcome. A three-foot-tall, 60-year-old Ficus retusa bonsai from Taiwan at the entrance to the exhibition offers a clue to Moerlein’s recent explorations, which continue his longtime interest in Asian art and poetry.

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A Conversation with Kenseth Armstead

Kenseth Armstead’s videos, drawings, and sculptures draw upon and re-envision the legacy of Africans and their diaspora in the United States. In his decade-long “Spook” project, Armstead explored the life and legacy of James Armistead Lafayette, a double-agent spy for George Washington during the American Revolution.

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Poetry in Motion: A Conversation with Mildred Howard and Johanna Poethig

Cultural Corridor/Urban Flow is a nine-and-a-half-mile-long public artwork on the first Bus Rapid Transit Line in Oakland, California. Designed by Johanna Poethig and Mildred Howard, with Peter Richards and Joyce Hsu, the line’s 34 stations are visually connected with a “ribbon” of words and images rendered in laser-cut aluminum on handrail panels and decorative windscreens.

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