NEW YORK Solomon R. Guggenheim Museum Beyond the works themselves (100 selections, including 27 large-scale sculptures), chosen to show a virtuoso mastery of material and form, Bove addresses her concern that museums are often “full of microaggressions,” treating the guest as merely “a body that carries around a mind.”
Peaceful Terrain: A Conversation with Igshaan Adams
Igshaan Adams weaves everyday materials—beads, chains, twine, fabric, plastic, wood, and wire—into mesmeric sculptural installations. His interest in weaving grew from childhood encounters with the baskets that his family collected in Bonteheuwel, a Cape Town suburb, and reflects his memories of apartheid-era South Africa.
Harriet Bowman
LONDON Standpoint Gallery Why horsehair? This traditional upholstery filling comes from a creature whose toil was supplanted by the combustion engine (recalled, by way of tribute, in the measurement of horsepower).
Fracturas del lenguaje: Una Conversación con Michele Lorusso
Nacido en Puerto Vallarta, México, Michele Lorusso obtuvo su maestría en Artes (MFA) en CalArts (California) en 2025, y estudió Creación Literaria y Literatura en la Universidad para su licenciatura en Casa Lamm (Ciudad de México) en 2014 y en Naropa University (Colorado) en 2016 donde se graduó.
Language Is Just Skin: A Conversation with Thomas Müller
Thomas Müller’s practice highlights the importance of the handmade and the meaning of material choices in an odd way. His work relies on inbuilt contradictions of intact/broken, coherent/indistinct, permanent/ephemeral, and manifest/implied, which all relate closely to the still-life trope and its associations with life, decay, and death.
A Better Truth: A Conversation with Alison Saar
At 70 years old, Alison Saar is looking forward to expanding the size of her studio so she can take on larger, more ambitious projects. Showing no signs of letting up or slowing down, she continues to explore family, spirituality, and race, mostly through the female form, drawing on a wealth of references and traditions
Inês Zenha: Cycles of Becoming
Inês Zenha arrived in Paris in 2018, a 23-year-old transgender artist known for transforming discarded street objects into art. Their practice took a decisive turn five years later with “Ressurreição (Resurrection)” (2023), an immersive exhibition that boldly addressed the fluidity of gender.
We Are All Swimmers: A Conversation with Carole Feuerman
The human body has always been at the core of Carole A. Feuerman’s artistic poetics. At the beginning of her career, in the late 1970s, her sculptures presented the body in fragments, yet charged with energy, vitality, and eroticism.
Perception From Within: A Conversation with Davide Allieri
Davide Allieri creates an undefined place of speculation in his current exhibition “47°24’35’’N / 9°44’20’’E.” Despite a title that records the factual coordinates of Kunstraum Dornbirn, this mysterious environment plunges viewers into a liminal, unmappable scenario dominated by two core elements—MECHA_01 115MZ (Protective Suit) and Hypocenter System (both 2026).
