Bertil Vallien

NEW YORK UrbanGlass Among the glass sculptures in Bertil Vallien’s “Starman” (on view through June 7, 2026), ghostly faces lurk in every corner: lodged in the hulls of boats, slumped on a bed of white feathers, carved onto a parade of dark totemic warriors.

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Anderson Borba

THORNHILL, SCOTLAND Cample Line Made predominantly from found wood, the sculptures are variously carved, gouged, burned, glued, painted, and lacquered. Many incorporate busy, colorful collages of images cut from magazines and pasted into cuts, crevices, and the inside of carved holes or wrapped around blocks of wood.

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Jakkai Siributr

NEW YORK Canal Projects Because There’s no Place is ongoing, Siributr’s practice presents a repository of lived experience. As long as the stitching continues, repair is not a completed act but a constantly evolving process.

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Sagarika Sundaram

LONDON Alison Jacques Employing spiral and mandala motifs, as well as cuts, folds, and layering, these primarily fiber works, which the artist calls “painterly sculpture,” contain a dynamic energy that induces a feeling of flow and movement, experienced as a kind of heady dizziness.

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