Anton Alvarez

HELSINKI Helsinki Contemporary Anton Alvarez’s “The Colour of Gravity” opens whole other worlds of shaping clay. Driven by experimentation and technical innovation, the Swedish Chilean artist distances himself from traditional processes.

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Jasmine Togo-Brisby

GLASGOW Gallery of Modern Art A sweet, earthy aroma of molasses hits you at the entrance to “Liquid Land,” Jasmine Togo-Brisby’s debut European solo exhibition. The smell emanates from a large, corrugated steel drum resting on wooden railway sleepers just outside GoMA’s ground-floor gallery, where it serves as the perfect introduction to a richly atmospheric exploration of memory and belonging.

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vanessa german: leap, all who are heavy laden

vanessa german’s “…do you remember when you were the sky?” is dedicated to the residents of the Colored Girls Dormitory of the Louisville Industrial School of Reform (constructed in 1894–96). Though this former space of enclosure has largely been lost to memory, the original building remains, just a stone’s throw away from german’s exhibition at the Speed Art Museum in Louisville, Kentucky.

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Whitney Biennial 2026

NEW YORK Whitney Museum of American Art Deciding against clear-cut themes, curators Marcela Guerrero and Drew Sawyer have loosely organized the show around concepts of kinship and infrastructure. Kinship, as expressed in their selections, not only accents the interdependence and shared affinity of relationships, but also deconstructs notions of singularity, especially around the body and gender.

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Rae-Yen Song

GLASGOW Tramway Daoist thinking posits that everything in our world is connected by a unifying life force, and Song emphasizes this belief by describing many of the exhibition’s elements as aspects of tua mak’s dispersed being.

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