The entrance to “Stars and Stripes” is blocked by a large horizontal painting of a white star with a large, uneven white stripe on top, red and blue stripes below. The order and size of the stripes suggest that white dominates.
Un trabajo de campo: Una Conversación con Lucas Seré Peltzer
Con una obra que se despliega entre la fotografía, el dibujo, las instalaciones, los objetos y el video, el artista argentino Lucas Seré Peltzer aborda problemáticas sociales y ecológicas contemporáneas desde una perspectiva crítica y experimental, proponiendo un trabajo de campo y utilizando el material de archivo como fuente documental para promover reflexiones conceptuales.
Composing Fragments: A Conversation with Aono Fumiaki
A palpable sense of precarity pervades the sculptures of Japanese artist Aono Fumiaki. Hovering between construction and collapse, his archipelagic structures are assembled from cardboard, discarded furniture, bicycles, books, and other detritus bearing the diaristic, accidental, and intentional traces of previous use.
Aki Inomata and the Art of Making-With
A beaver chews a piece of wood. Its teeth follow the grain, avoid the knots, and gradually transform the timber. The animal is not thinking about sculpture. It is simply being a beaver. Yet some of the things left behind can look uncannily familiar to us.
Rirkrit Tiravanija
SINGAPORE STPI Emphasizing open relations and individual subjectivity, Rirkrit Tiravanija’s recent exhibition “SAY YES TO EVERYTHING” generated situations designed to “give everyone a chance.” Whether a home-cooked meal, a game of Mikado, camping, or a kite-flying excursion, his works evoke the commonplace, centered on being together and the collective elaboration of meaning.
Stories Flowing: A Conversation with Klara Kristalova
Klara Kristalova’s work draws us into a richly imaginative realm populated by a host of colorful, glazed ceramic beings, a world that encompasses all manner of hybrids, unexpected allegiances, and bizarre events.
Eddie R. Aparicio
NEW YORK Jeffrey Deitch Gallery Thrust metaphorically into the driver’s seat, we cruise along as if on a Los Angeles freeway, regarding in quick glimpses an unfolding spectacle of disaster and environmental destruction.
Joel Tomlin
EDINBURGH Ingleby Gallery Given the rustic, Romantic flavor of Tomlin’s forms, and the rural Bavarian fastness where some of them were made, we might even posit a Heideggerian reading of the world-making quality of crafted objects.
“Mrinalini Mukherjee: Unbound Forms–Women Sculptors of India and Bangladesh”
WAKEFIELD, U.K. The Hepworth Wakefield “Unbound Forms” (on view through November 1, 2026) provides a rich and exhilarating context for a major retrospective of Mrinalini Mukherjee’s work, presenting it alongside sculptures by four earlier pioneering women artists from India and Bangladesh.
The Brain Is in the Belly: A Conversation with Tori Wrånes
Tori Wränes, whose latest works feature in the Nordic pavilion at this year’s Venice Biennale, has a wonderful knack for communicating things difficult to express in words.
