QUEENS, NEW YORK SculptureCenter Over the course of six weeks, the Santiago-based artist scavenged materials from Queens junkyards, sidewalk trash piles, and thrift shops to build a dismembered replica of a corporate office.
vanessa german: leap, all who are heavy laden
vanessa german’s “…do you remember when you were the sky?” is dedicated to the residents of the Colored Girls Dormitory of the Louisville Industrial School of Reform (constructed in 1894–96). Though this former space of enclosure has largely been lost to memory, the original building remains, just a stone’s throw away from german’s exhibition at the Speed Art Museum in Louisville, Kentucky.
Whitney Biennial 2026
NEW YORK Whitney Museum of American Art Deciding against clear-cut themes, curators Marcela Guerrero and Drew Sawyer have loosely organized the show around concepts of kinship and infrastructure. Kinship, as expressed in their selections, not only accents the interdependence and shared affinity of relationships, but also deconstructs notions of singularity, especially around the body and gender.
Florence Peake
ARBROATH, SCOTLAND Hospitalfield In “Your Meaning Not Your Materiality (YMNYM)” (on view through October 4, 2026), Florence Peake presents a new series of fugitive, fragile, and strongly emotive sculptures.
Esculturas que danzan con el viento: Una Conversación con Alberto Cavalieri
Las esculturas de Alberto Cavalieri destacan por su monumentalidad, tanto en emplazamientos indoor como en la vía pública, interactuando con el casco urbano y su arquitectura.
Rae-Yen Song
GLASGOW Tramway Daoist thinking posits that everything in our world is connected by a unifying life force, and Song emphasizes this belief by describing many of the exhibition’s elements as aspects of tua mak’s dispersed being.
Yoko Terauchi
LEEDS, U.K. Henry Moore Institute Born in Tokyo in 1954, Terauchi studied sculpture at St. Martin’s from 1979 to 1981 and then received a Henry Moore Fellowship to attend Camberwell School of Art (1983–84). In April 1984, she completed a week-long performance-cum-sculpture project at Leeds City Art Gallery, documented in this show, during which she constructed sculptures in front of an audience.
Mary Miss’s Photodrawings: Temporal Experience of Place
Photography typically tells a story or records an event. For Mary Miss, it does both. Her photodrawings, as she calls them, not only document her indoor and outdoor installations, but also give viewers a sense of the architectural character of her constructions.
CFGNY: The Matter of Mediation, the Labor of Maintenance
A full-size stepped bridge wrapped in brown synthetic fur straddles the front gallery of Amant in Brooklyn, arching above the concrete floor. Around it, 20 glazed ceramic tiles are arranged on mirror-topped, framework plinths of varying heights to construct an uneven terrain.
Taking Risks: A Conversation with Axel Straschnoy
Helsinki-based Argentinian artist and filmmaker Axel Straschnoy probes scientific phenomena, astronautics, and the social and political facets of the human quest for knowledge. His conceptually inflected, research-driven projects can take many forms, yet they remain connected by a wide-angled, dynamic approach.
