TURIN Museo d’Arte Contemporanea Castello di Rivoli The essence of drawing, its linearity and spatiality, are never fully lost, and David’s willingness to get under the hood of an artform is one of his work’s strongest appeals.
Hilary Harnischfeger
NEW YORK Uffner & Liu Depending on whether the edges are in view, one’s impulse to read these forms in terms of the geologic record or cartographic tradition varies.
Direct Experience: A Conversation with Zhanna Kadyrova
Zhanna Kadyrova transmits a vitality, and commitment to her work, that almost escapes understanding, considering that she lives and works in Kyiv, Ukraine’s capital city and the target of indiscriminate missile attacks.
Rebecca Manson
SAN FRANCISCO Jessica Silverman From a distance, the tiny ceramic elements create an almost mesmerizing shimmer of color, not unlike the light-catching microscopic scales of genuine insect wings.
Staring Into Space: A Conversation with Rachel Whiteread
Rachel Whiteread treats space as the substance of sculpture, a physical entity that, in the words of French writer Georges Perec, “arrests the gaze.” For over 30 years, Whiteread has attempted to fill the spatial voids bounded by objects and architecture and capture them in form, grounding her practice in a singular paradox—to make the
Comer, pensar, amar: Una Conversación con Lucía Reissig
La artista visual argentina Lucía Reissig, nacida en Buenos Aires pero residente en Nueva York, estudia la memoria a través del espacio y los objetos domésticos, con especial énfasis puesto en los alimentos como medio de interacción colectiva, su política de manipulación, consumo, cuidado y los afectos que se tejen alrededor de ellos.
Antti Oikarinen
HELSINKI Taidehalli In “Introspective” (on view through March 8, 2026), Antti Oikarinen contemplates the nature of artistry, the inspiration and personal methodology that drive him to develop his ideas, and the emergence of meaning.
Glitches in Reality: A Conversation with Mike Nelson
Mike Nelson, whose practice stretches back to the early 1990s, is best known for hauntingly realistic built environments constructed from salvaged materials and time-soaked objects. Rich in narrative, these genuinely immersive sculptural worlds draw on cultural, political, and historical references to provide strangely moving, and often unsettling, experiences for the viewer.
Materialized Nature: A Conversation with Anna Hulačová
Anna Hulačová’s “Bucolica,” currently on view at Kunstraum Dornbirn in Austria, contrasts ancient and modern practices related to the land, fine and folk art techniques, as well as abstract and representational imagery. Agriculture, rural life, and the development of industrialization play an important role in her work, as do live bees.
Simon Starling
KENDAL AND WINDERMERE, U.K. Abbot Hall and Windermere Jetty Museum Shedboatshed embodies many of Starling’s themes, including material transformation, cyclical journeys, and an unpicking of capitalist production.
