Sabine Senft, Texas Sculpture Group President and Wells Mason, Texas Sculpture Group Board Member discuss art with María Carolina Baulo, art historian, curator and arts writer-critic (Buenos Aires, Argentina) and Daniel Kunitz, Editor-in-Chief of Sculpture.
Young Joon Kwak, a Los Angeles-based artist working in sculpture, performance, and video, reimagines the form, function, and materiality of objects in order to propose alternative ways of seeing and understanding bodies, as well as physical and social spaces.
SEATTLE MadArt Seattle-based Casey Curran creates carefully crafted kinetic sculptures and environments that question basic human drives (innovation and discovery) and assumptions (progress), along with their effects and legacies. His new exhibition at MadArt, a studio residency program in the heart of South Lake Union, Seattle’s tech quarter, echoes the mushrooming skyline of the neighborhood (with more than 60 new buildings in 10 years), but with a twist.
RIDGEFIELD, CONNECTICUT Aldrich Contemporary Art Museum “My art is about building things,” Frank Stella told Alina Cohen in an Artsy conversation about his 2019 Marianne Boesky Gallery solo show, which included Jasper’s Split Star and Nessus and Dejanira—two of the star sculptures currently on view (through May 9, 2021) at the Aldrich Contemporary Art Museum.
Influenced by hip-hop, history, and science fiction, Donté K. Hayes explores memories of the past to project possible futures. The ceramic vessels in his “Welcoming” series use the pineapple as a surrogate for the Black body, tapping into its dual significance as a symbol of welcome and hospitality for some groups and a symbol of racist exclusion and agricultural colonization for others.
NEW YORK Americas Society “The Spine of Music,” an intriguing, spirited exhibition of works by 90-year-old Guatemalan artist and musician Joaquín Orellana (on view through April 24, 2021), features a selection of his handmade percussive instruments—which visitors may play—as well as works by other artists acquainted with his practice.
An artwork is an odd kind of cipher—by the time viewers see it, it’s all veneer, divorced from the studio, stripped of the labor and history that went into its production (as well as its synergistic relationship with its creator), and polished up into an end product.
ST IVES, CORNWALL, U.K. Tate St Ives The day I visited Tate St Ives to see “Strange Attractors” (on view through September 26, 2021), nature seemed perfectly aligned with Haegue Yang’s vision—charcoal clouds scowled across the sky as Atlantic rollers thundered deafeningly onto the beach below.
Artista plástica argentina viviendo en Houston, Paula Córdoba desarrolla una obra donde busca poner en evidencia aspectos culturales silenciados de aquellas culturas que siempre quedaron a la sombra del pensamiento hegemónico occidental.
NEW YORK Venus Over Manhattan Shinichi Sawada’s dynamic, wood-fired ceramic sculptures teem with energy. In this show—the first U.S. presentation of works by the self-taught, 38-year-old artist, who is based in Shiga, Japan—a few dozen figures arranged on two long tables form a modern-day bestiary of creatures drawn from Japanese mythology and reality.