Liz Larner

NEW YORK Anton Kern Gallery Perhaps Larner is able to better illuminate, by way of cold metal abutments that strike at the core of material and form-based juxtaposition, that which is visually sensuous and apposite for organic-seeming sculptural objects. Indeed, her most pleasing forms are those that appear to be collected from nature and hardly contrived.

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Steve Locke

NORTH ADAMS, MASSACHUSETTS MASS MoCA Locke may be acting as witness, but he is also an artist. The work’s interpretive moment occurs in the neon words, “a dream,” which hover over the list of the dead. Which dream, and who gets to dream this dream?

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Keith Tyson

MÄNTTÄ, FINLAND Serlachius Serlachius provides two very different perspectives on Keith Tyson’s “Universal Symphony.” While the elevated observation point offers a sweeping overview, disclosing what appears to be a grab bag of objects, the proximity afforded on the gallery floor amends and contradicts that original impression.

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