Tarik Kiswanson

GLASGOW The Common Guild As [Kiswanson] moves “outwards,” he addresses wider realities of humanity, using a variety of strategies to explore ideas around what he has called the “constant instability” of identity, and the embedded narratives and meaning that objects can hold.

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Circulating Energy: A Conversation with Yuko Mohri

Translated from Japanese by Gaku Kondo Yuko Mohri creates kinetic sound installations from reconfigured audio components and found everyday objects—everything from discarded furniture, motors, and rolls of paper to light bulbs and water. Networked assemblages that respond to the context in which they are fabricated, her multisensory environments form unique and changeable energy courses, their

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Rachel Mica Weiss

NEW YORK Carvalho Park  “Cyclicalities”—Rachel Mica Weiss’s most materially and thematically ambitious exhibition to date—features nine new sculptures that transform marble, alabaster, concrete, glass, and stainless steel from their everyday, utilitarian usage into things more softly meditative.

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Wynnie Mynerva

LONDON Gathering Monumental unframed paintings on fabric are suspended from the walls of the ground floor and basement galleries, stretched out to a large extent, but with volumes of fabric tumbling downward and (sometimes) outward like fleshy folds.

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Peter Fischli and David Weiss

NEW YORK Matthew Marks Just how do the artists get plastic to look like plaster, to resemble the swipe of a brush, the scuff of a shoe, a half-cleaned bowl? By separating looking from the physicality of touch and form from function or purpose, these handmade things can only affirm their authenticity as sculptural objects.

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Hilary Heron

DUBLIN Irish Museum of Modern Art (IMMA) There has been little research on Heron, which is surprising because she was the key figure in introducing Modernism to Ireland, alerting Irish sculptors to the glories of British 20th-century sculpture (not only Epstein, Moore, and Hepworth, but also postwar figures such as Armitage, Chadwick, Turnbull, Meadows, and Frink).

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