Nacida en Córdoba, Argentina, la artista visual Nuna Mangiante, despliega su obra apoyada en diversos soportes e instalaciones cuya base son la fotografía y el dibujo con grafito, pasando del plano a la tridimensionalidad cuando logra tomar el espacio proyectando y transformando los escenarios fotografiados e intervenidos, en instalaciones.
Unsettling Outcomes: A Conversation with Liz Larner
Liz Larner embodies Isaiah Berlin’s classic hedgehog vs. fox dichotomy. As the fox, her view of the world can’t be reduced to a single reading; but like the hedgehog, she has the patience and temperament to follow a singular vision.
Object Lessons: Sandra Eula Lee
Change is constant—everything in the material world is always in flux. Living in different cultures, I’ve observed how materials and objects cycle through everyday space in different ways and at different speeds. What can they communicate about the conditions we’ve created?
Virginia Overton
LONDON Goldsmiths CCA Overton takes on Caro and other heavyweights of this traditionally masculine domain with aplomb, and on her own terms; her new works feature welded steel and hefty brass tubes alongside aromatic red cedar, mirrored disco tiles, and sheepskin, demonstrating a lightness of touch and material playfulness.
Raúl de Nieves
BOSTON Institute of Contemporary Art Whatever the form of de Nieves’s lines—strings of beads, shreds of paper, strokes of paint, or literal threads—they suggest how the present is connected to the past. To pursue his lines is to trail a map of remembrances.
Marianne Berenhaut: To Change Is Human
A chance encounter with two of Marianne Berenhaut’s evocative sculptures—Pour la troisième fois on l’a sorti du tiroir (For the third time it was taken out of the drawer, 2010) and Fleur électrique (Electric flower, 2020)—proved a watershed moment for me.
Nicole Eisenman
NEW YORK Hauser & Wirth Nicole Eisenman’s practice has always been intense, studio-focused, and personal. Their current exhibition, “Untitled (Show),” is overflowing with sculpture and painting, almost two shows in one.
Yuriko Yamaguchi
WASHINGTON, DC Addison Ripley Fine Art Yamaguchi’s sculptures, like elegant Rorschach inkblots, tease with allusion even as they morph to dazzling abstraction.
A Re-Enchanted 59th Venice Biennale, Part II: Collateral Projects and Museum Exhibitions
The joy of the Venice Biennale goes beyond the Giardini and Arsenale (explored in Part I), with collateral projects and exhibitions that entice you to get lost in the magnificent city and discover art shows within the extraordinary Venetian palazzos, churches, and museums.
