Anne Duk Hee Jordan takes evolution and adaptation as her primary themes, traveling on a personal odyssey from the Neanderthal era into an imaginary vision of a post-Anthropocene future of mechanical anthropomorphic hybrids that she’s dubbed Homo-Stupidus.
Malia Jensen’s work combines a keen sense of observation of the natural world with a complex sense of humor. Earthy, sensual, uncanny, ambiguous, and provocative, her sculptures are always more than what they appear to be, teasing out multi-layered narratives.
Raised in Texas, New York artist Rachel Lee Hovnanian has long explored narcissism, perfection, beauty, and addiction. Her first solo museum exhibition, “Open Secrets,” curated by Annalisa Bugliani, presents work from the last 12 years. The show remains on view in the 16th-century Palazzo Mediceo in Seravezza, Italy, through September 15, 2019.
The thing that’s so appealing about “the sublime” is that it’s indefinable and without boundaries. All markers are missing; there are no indicators, no specificities, no fixed framework in which to embed meaning. Instead, there is awe and universality, consisting entirely of experience and sensation culminating in metaphor.
“All Over the Place,” Mel Chin’s “post-retrospective comprehensive survey” at the Queens Museum (2018) was aptly named. For more than 40 years, he has used a staggering range of materials and processes—plant and soil research, traditional stone sculpture, covert interventions in TV shows, and most recently augmented reality—to address pressing social and environmental issues, from
Artist and educator Angela Hennessy lives and works in Oakland, California, where she teaches at California College of the Arts. Through writing, studio work, and performance, her practice examines mythologies of blackness embedded in linguistic metaphors of color and cloth.
Apelando a un universo plástico que contempla la integración de simples objetos de la vida cotidiana—vajillas, mesas, manteles, utensilios, entre otros—al campo del arte, combinándolos con cerámicas, fotografías y serigrafías, la artista crea un espacio tan familiar como extraño.
Saravanan Parasuraman’s creations have a sense of raw energy, drawing inspiration from nature and ordinary life in the countryside of rural India—particularly Tamil Nadu, where he spent his formative years. Fishing nets, local proverbs and idiomatic expressions, jackfruit, old-fashioned tools, and anthills all find themselves conceptualized in Parasuraman’s work, translated into different materials and shaped