Mike Nelson, whose practice stretches back to the early 1990s, is best known for hauntingly realistic built environments constructed from salvaged materials and time-soaked objects. Rich in narrative, these genuinely immersive sculptural worlds draw on cultural, political, and historical references to provide strangely moving, and often unsettling, experiences for the viewer.
Materialized Nature: A Conversation with Anna Hulačová
Anna Hulačová’s “Bucolica,” currently on view at Kunstraum Dornbirn in Austria, contrasts ancient and modern practices related to the land, fine and folk art techniques, as well as abstract and representational imagery. Agriculture, rural life, and the development of industrialization play an important role in her work, as do live bees.
Light, Time, and Space: A Conversation with Benjamín Ossa
Chilean artist Benjamín Ossa takes an expansive approach to the world, letting himself be guided by light in works that appeal to experience. Focusing on issues of perception, time, the relation between body and space, and the study of phenomena and their displacement, his works challenge the limits of categorization.
Traces of Actions: A Conversation with Michael Beutler
For Michael Beutler, a professor of sculpture in Hamburg, Germany, an exhibition is a kind of workshop. His work isn’t necessarily made in the studio and transported to a gallery; instead, it unfolds in response to its location, in conversation with the surrounding space, and is created with the help of a large team.
Moving in the In-Between: A Conversation with Olaf Holzapfel
Olaf Holzapfel’s works bridge sculpture, painting, and architecture, traditional craft and contemporary art, nature and culture, the virtual and the real. Born in Dresden, in former East Germany, the Berlin-based artist has long been interested in borders and boundaries—the purposes they serve (overt or hidden) and how to overcome them.
Modelando mundos: Una conversación con Andrés Pasinovich
Artista visual y músico, Andrés Pasinovich aborda su formación de la mano de destacados artistas argentinos tales como Eduardo Medici, Marina De Caro, Ana Gallardo y el CIA (Centro de Investigaciones Artísticas). Su obra toma el espacio haciendo uso de distintos lenguajes visuales y técnicas donde las instalaciones juegan un rol clave, amalgamando propuestas en
Nafís M. White: Forms of Change
Nafís M. White transforms commonplace objects and materials into works of profound aesthetic and cultural resonance. Her Providence studio, filled with raw materials, emanates creative energy—like an art lab for unquantifiable experiments. Colorful Oculus sculptures hang on the walls, their braids and coils dynamically winding and undulating into circular shapes in an array of vivid
Primal Force: A Conversation with Delcy Morelos
Bogotá-based Delcy Morelos envisions Madre—her new earthwork currently on view at Hamburger Bahnhof in Berlin—as both a mountain and a home, matter and nourishment. Combining clay, water, wood, cinnamon, and earth sown with European wheat and South American chia seeds, the work confronts visitors with a monumental and multisensory living presence.
Fuerza primordial: Una conversación con Delcy Morelos
La artista colombiana Delcy Morelos envisiona Madre—su nueva “earthwork” actualmente instalada en el Hamburger Bahnhof de Berlín—como montaña y casa, materia y nutrimiento. La obra, que contiene arcilla, agua, madera, canela y tierra, la ultíma con cascarilla de semillas de trigo europeo además de chía suramericana, presenta a los visitantes con una presencia vital y
Emotional Vestiges: A Conversation with Jessica Trosman
Buenos Aires-based Jessica Trosman began her career in fashion design, launching the brand Trosmanchurba with Martín Churba in 1997 and her eponymous brand in 2002. Her fashion practice took her around the world, especially Japan, and work in her textile laboratory generated prestigious collaborations with haute couture houses such as Chanel and Rick Owens.
