Seattle-based Emily Counts takes a personal approach to sculpture, creating ceramic and mixed-media works based on memories that also leave ample space for interpretation. Sea of Vapors, her immersive installation at the Museum of Museums in Seattle (on view through September 1, 2023), leans into the narrative potential of ceramics.
Dueña de una mirada estética que hace foco en la naturaleza, la rosarina Fabiana Imola desarrolla una obra con una fuerte impronta abstracta pero que pone al espectador dentro de un universo vegetal inconfundible.
Keg de Souza’s multidisciplinary practice gravitates around issues of place, community, and spatial politics. Drawing on her architectural training and experience as a squatter and organizer, she uses installation, temporary architecture, performance, workshops, and food to create informal, imaginative platforms for learning, participation, and exchange.
Lunar Ensemble for Uprising Seas (2023), Petrit Halilaj and Álvaro Urbano’s spectacular new installation, features more than 40 sculptural works set within the equally spectacular deconsecrated Chiesa di San Lorenzo in Venice, now called Ocean Space.
In Krista Clark’s deft hands, the languages of architecture and sculpture collide, with line, composition,color, volume, and space all coming into play. Her works are crafted from materials typically associated with the building process, but their engagement of space and their relationship to the human body propel them into a deeper conversation.
London-based French artist Marguerite Humeau performs wide-ranging, research-based excavations of the past to distill new forms—often sculptures—that speculate on presents that might have been, and futures that may still arrive.
When people come in, they expect certain things out of a basketball court, and they’re confronted with these lines that don’t quite line up with what they’re used to. My design means that people almost have to find new play patterns within it, until they can acclimate to the space and the work.
Con una obra que hace pie en el dibujo, Cynthia Kampelmacher, artista visual, Licenciada en Artes Visuales por la Universidad Nacional de las Artes (UNA) y docente, genera desde la línea una proyección fuera del plano, para crear espacialidad desde sutiles hasta grandes instalaciones.
“All of Us,” Sophie Ryder’s current exhibition at The Lightbox in Woking, England, near London, features over 50 examples of her anthropomorphic dream imagery—ladyhares, minotaurs, boars, and dogs, as well as dislocated representations of eyes, hands, and feet, all magically juxtaposed across the exhibition space.