Sometimes a hot dog is not just a hot dog. For sculptor Genesis Belanger, the humble frankfurter is a way to bitingly critique things that irk her—in this case, the patriarchy—while still maintaining a sly sense of humor.
When asked about her influences, Rona Pondick tends to reply succinctly. “Kafka and my mother,” she will often state, but when pressed further she has only been known to elaborate on the former. In looking at the hybrid metal creatures for which Pondick is perhaps best known, Kafka’s influence—from Metamorphosis to his letters to his
Lee Bae is a significant figure in the trajectory of Korean Modernism. Born in Korea, Bae studied under Park Seo-Bo, one of the founders of Dansaekhwa, an art movement born in South Korea in the 1970s.
Oliver Ranch is one of the few American sculpture parks in which the works have all been conceived explicitly on and for the site—relationship to land being the one imposed constraint. The Olivers’ approach to commissions involves working intensively with artists and asking them to commit to a multi-season study of the land as part of the process.
“I’m interested in the ways plants orient themselves and fight; in the magnetic sensitivity and the geo-localization of great migrators; in a dog’s sense of smell, which configures its volatile world as it moves, but also its memory and self-awareness.”
El arte nutrió la vida de Pablo Dompé desde sus inicios. Habiendo nacido en familia de artistas, su cotidianeidad estuvo atravesada por la dinámica del taller y los materiales de trabajo que atrajeron su inclinación natural por crear objetos, nutrir formas y complementar el trabajo de moldeado con el estudio de la música, el dibujo y la lectura.
“The impetus for Spaghetti Blockchain came from looking at YouTube for endless hours. Also, I’ve been considering different definitions of materialism—as a philosophical term, what it means in capitalism, and how we are composed of matter.”
Over the course of six days in 2003 during the American invasion of Iraq, more than 3,000 artifacts on display at the Iraqi National Museum in Baghdad were looted or destroyed. For Michael Rakowitz, an American artist of Jewish-Iraqi heritage, the desecration was personal, and it inspired an ambitious sculptural project.