A former scenographer who helped to design backdrops for other people’s cinema productions, Italian sculptor Edoardo Tresoldi has since found success by putting his own work center stage. His large-scale, seemingly fragile sculptures are predominantly constructed from wire mesh, a medium that reinforces their ephemeral, mirage-like quality.
By remixing references and aesthetic values from multiple cultures and time periods, Biggers reconsiders questions of authenticity, art historical authority, and provenance, infusing his hybridized forms—which he calls “objects for a future ethnography”—with overlapping and sometimes diametrically opposed meanings that demand to be grasped simultaneously.
Natalie Frank is a multidimensional artist who plays in the arena of the figure. After first garnering attention with ribald oil paintings, she expanded into drawing, illustrating such books as the unexpurgated Tales of the Brothers Grimm.
Habiendo transitado distintas disciplinas dentro de las artes plásticas, la obra de Elia Gasparolo, artista argentina oriunda de la provincia de Mendoza, se enmarca actualmente dentro de lo multidisciplinario, sumando a sus pinturas, objetos de estructura blanda, indumentaria y accesorios que conforman biotextiles cuyo protagonista es la materialidad orgánica per se.
Though Nancy Davidson has worked in multiple mediums over the course of her prolific career, she is best known for her enormous, flamboyant sculptures made of latex balloons and vinyl-coated nylon. These quirky, vibrantly colored inflatables lightheartedly blend absurdity and humor, but they also raise social and political issues in an upbeat, playful manner.
Young Joon Kwak, a Los Angeles-based artist working in sculpture, performance, and video, reimagines the form, function, and materiality of objects in order to propose alternative ways of seeing and understanding bodies, as well as physical and social spaces.
Influenced by hip-hop, history, and science fiction, Donté K. Hayes explores memories of the past to project possible futures. The ceramic vessels in his “Welcoming” series use the pineapple as a surrogate for the Black body, tapping into its dual significance as a symbol of welcome and hospitality for some groups and a symbol of racist exclusion and agricultural colonization for others.
An artwork is an odd kind of cipher—by the time viewers see it, it’s all veneer, divorced from the studio, stripped of the labor and history that went into its production (as well as its synergistic relationship with its creator), and polished up into an end product.
Artista plástica argentina viviendo en Houston, Paula Córdoba desarrolla una obra donde busca poner en evidencia aspectos culturales silenciados de aquellas culturas que siempre quedaron a la sombra del pensamiento hegemónico occidental.