Artist-run galleries in Australia in the ’70s and ’80s defined themselves as outside the conservative cultural structure. In the ’90s, artists’ spaces like Melbourne’s 1st Floor Gallery manage projects as if they were small businesses, with a high profile usually reserved for commercial galleries.
Sylvie Fleury, John Armleder, Antony Gormley
Los Angeles ACE Gallery The installations of Swiss artists Sylvie Fleury and John Armleder, filling an entire wing of this massive gallery… see the full review in the print edition of September 1999’s Sculpture magazine.
Antony Gormley
Sylvie Fleury, John Armleder, Antonv Gormley ACE Gallery Los Angeles The installations of Swiss artists Sylvie Fleury and John Armleder, filling an entire wing of this massive gallery in L.A.s Miracle Mile district, have a hard-edged, impersonal toughness about them.
Guy Dill
Santa Monica Bobbie Greenfield Gallery For the last decade, California based artist Guy Dill has created abstract sculptures that establish poetic progressions between circular, elliptical, and arc forms… for the full review see the print edition in September 1999’s Sculpture magazine.
Allan Wexler
Atlanta Atlanta College of Art Gallery Allan Wexler eschews the conventional definition of an architect… see the full review in the print version of September 1999’s Sculpture magazine.
Murray Dewart
Newton, MA Boston Sculptors at Chapel Gallery One hates to genderize art, but the towering timber works of Murray Dewart beg for macho adjectives: muscular, stalwart… for the full review see the print version of September 1999’s Sculpture magazine.
