Michael Quane

Dublin, Ireland Temple Bar Gallery Vitrine art was dismissed by Modernism, its finger-facility regarded as a dangerous chocolate-box covering, atop a vacuum. Talent and adroitness were there in shovel-fulls but the great shiver of “art,” the fine discriminations of emotion (as opposed to bombast and rhetoric) were absent… See the full review in the print

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Threshold

Toronto The Power Plant Teresita Fernandez’s narrow corridor of scrim-covered mirrors is dim and gray, as if in twilight… for the full review see the print edition of January/February 1999’s version of Sculpture magazine.

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Giò Pomodoro

Padua, Italy Palazzo del Monte di Pieta To celebrate its 175th anniversary, the Cassa di Risparmio di Padova e Rovigo (Padua and Rovigo Bank) sponsored an important exhibition of Gio Pomodoro’s sculptures… for the full review see the print edition of January/February 1999’s Sculpture magazine.

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David French

Portland, OR Pulliam Deffenbaugh Gallery Although each of David French’s carved wood sculptures is meant to stand alone, the 18 pieces that comprise his recent exhibition, “Earthly Pleasures,” inhabited… for the full review see the print edition of January/February 1999’s Sculpture magazine.

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