Absalon

Tel Aviv Tel Aviv Museum of Art Twenty years have passed since the death of the Israeli-French artist Absalon at the age of 29. This show, a revised version of a comprehensive exhibition mounted two years ago at Berlin’s KW Institute of Contemporary Art, featured installations, sculptures, models, preparatory sketches, and video works loaned from

Read More

Thomas Morrissey

Providence AS220 Project Space An in-your-face, freedom-of-speech quality informed Thomas Morrissey’s recent installation about the summary worth of creative endeavor. His life’s work was arranged, boxed, labeled with limited descriptions, and given a by-the-pound valuation. Heavy-duty, locked chain-link gates made the collection inaccessible, and an overhead security camera remained trained on his intellectual and artistic

Read More

Rona Pondick

New York Sonnabend Gallery When Rona Pondick’s sculptural installations first appeared in the mid-1980s, their raw expression of abjection, feminist rage, infantile greed, and intimations of mortality was startling. Roughly made, her unsettling works were ambivalent, psychological, and completely uncanny: elongated lead beds, beds protruding baby bottles like teats, weird agglomerations of children’s shoes and

Read More

Miroslaw Balka

New York Gladstone Gallery Miroslaw Balka’s 2 x (350 x 300 x 300), 36 x 36 x 29 / The Order of Things—a large-scale, welded sculpture of weathering steel—is an obverse rhomboid, split into two equal sections with darkened water pouring into each half.

Read More

Aleana Egan

Dublin Kerlin Gallery Aleana Egan’s richly evocative sculptures, which range from the representational to the abstract, recall various types of spaces. Many of her works are created out of welded steel, but she also incorporates more fragile materials such as cloth, string, plaster, and cardboard.

Read More

Miguel Harte

Buenos Aires Ruth Benzacar Gallery A beetle inside a glass bubble, the pink entrails of an unrecognizable being, a stone cave with insects embedded in its walls, and a number of organic, wall-mounted forms representing some kind of shelves but failing to support anything other than themselves created an atmosphere of mystery in Miguel Harte’s

Read More