Arnaldo Pomodoro: Voyage Through the Labyrinth

Arnaldo Pomodoro’s most significant “sign” is personal but recognizable, though many people—including perhaps the artist himself when he began his exploration more than 50 years ago—are unable to explain its meaning. The image of the labyrinth surfaces in Pomodoro’s earliest works, including Moon, Sun, Tower (1955), Sun Nutriment (1955), Horizon (1956), and Mark (1957).

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Uglycute

STOCKHOLM Marabouparken It may seem unorthodox and even premature to stage a retrospective of a career that has only lasted for 13 years, but then Uglycute, the Swedish art and design collective, is neither conventional nor concerned with timeliness. Furthermore, the four members of Uglycute—Markus Degerman, Andreas Nobel, Jonas Nobel, and Fredrik Stenberg—have created such a vast number of furniture pieces, exhibition designs, and environments that their retrospective was both rich and rewarding.

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Akio Takamori and Tip Toland

NEW YORK Barry Friedman Ltd. Akio Takamori and Tip Toland are both figurative clay artists, but any similarity between them ends there. Takamori is a lyrically inclined, Japanese-born sculptor who now teaches at the University of Washington, while Toland is a hyperrealist from Seattle who specializes in portraying the elderly.

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Elias Crespin

NEW YORK Cecilia de Torres, Ltd. Elias Crespin is a 21st-century wizard in a virtual Oz. In “Parallels,” the New York debut of his kinetic sculpture, he dazzled viewers with works consisting of simple lines and shapes. At first glance, they appeared to be suspended in space, their movements the whim of a capricious breeze. But nature was nowhere present.

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“Art Unlimited”

BASEL Art Basel Franz West’s attention-grabbing Gekröse introduced the “Art Unlimited” section of Art Basel with a colorful flourish. The monumental, anthropomorphic form in eye-popping, pink-lacquered aluminum resembled a Jurassic cephalopod, or an oversize human intestine.

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11th Havana Biennial

HAVANA, CUBA 11th Havana Biennial The Havana Biennial originated in 1984 as a tribute to the 25th anniversary of the Cuban revolution. Though it initially showcased only artists from the Caribbean, today it includes works by artists from the U.S., Europe, the Middle East, South America, and Africa. The 11th installment, which spread across the greater metropolitan Havana area, was a daunting enterprise for a first-time visitor.

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Live Media: Hope Sandrow

A flock of rare Paduan chickens cluck and flap in Hope Sandrow’s Open Air Studio, an installation that she created in the backyard of her century-old home in Southampton, New York. Sandrow, known for intermingling an eclectic range of media, from photography to performance, is also quick to pounce on oddball happenstance, as she did when an exotic white cockerel followed her home from a morning walk, and then stayed.

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