Rogue Sculpture in Polite Society: Lee Littlefield

For nearly 20 years, along certain stretches of highway and other unexpected places, there have been sightings of curiously elegant and quirky creatures known to art world insiders (and a few public officials) as “pop-ups.” These more-or-less public sculptures created by Lee Littlefield (who died in June 2013) testify to his sculptural persona: rangy, appealing,

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Anne Lilly

New York Galerie Swanstroem Anne Lilly, a sculptor from Boston, recently put on a terrific show of tabletop kinetic works set in motion by hand. Created to necessarily exacting specifications, the various components weave in and out through her steel forms, just missing small disasters of entanglement or collision.

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Jonathan Kirk

Hamilton, New York Clifford Art Gallery, Colgate University The works featured in “Machines: Fragments and Reveries” present Jonathan Kirk as a creative spirit in love with mechanisms and an artist who revels in working out ideas through materials.

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Linda Huey

Brockton, Massachusetts Fuller Craft Museum The former Fuller Art Museum, now the Fuller Craft Museum, retains its dedication to craftspeople who also produce art. Dark Garden, a recent installation by veteran ceramicist Linda Huey, was a case in point.

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Richard Jackson

Newport Beach, California Orange County Museum of Art Richard Jackson, who emerged during the 1970s and ’80s, is best known for environments, mazes, corridors, painting machines, and wildly extravagant dioramas that reiterate iconic artworks from the Romantic period to the present.

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Christopher Miles

Pasadena Pasadena Museum of Art Christopher Miles’s biomorphic sculptures have life, one that’s visible in the marks, dents, and patterns that inform their surfaces. Bridging humor and the grotesque, they speak to the aesthetics of painterly abstraction and trash art, with an awkward beauty that tips over into elegance.

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