For John Greer, civilizations are like distant islands immersed in a sea of time. He developed an early interest in how memory and the human tendency to shape forms into symbolic ideotypes (regardless of culture) result in the repeated creation of certain typologies.
Archive
Luisa Rabbia: A Sense of Kinship
Luisa Rabbia employs the human form to express existential themes, ranging from physical and spiritual transformation to the interconnectivity of all beings. Despite its figurative aspects, her eclectic body of work, consisting of sculptures, installations, drawings, and animated videos, tends toward abstraction.
Aljoscha: Germinating New Art
Dateline: Tuesday, March 17, 2009. At Cologne’s Museum Ludwig, a young man moves toward Portable War Memorial (1968), a large installation or, more precisely, an environment created by Edward Kienholz in obvious reference to the Vietnam War.
Daniel Wiener: Trojan Horses
When a natural environment is confronted with contaminants, it responds with instability and disorder. One of the byproducts of contamination is “outcrossing,” a process that allows recessive traits to migrate across a population, adding diversity and strengthening certain characteristics.
Identity in Dialogue: A Conversation with Emilie Brzezinski
Family Trees, a Hide and Seek Story, 2010. Born in Geneva, Switzerland, of Czech parents, Emilie Benes Brzezinski has lived in the United States since her childhood. Though her artistic career goes back to the early ’70s, a period in which she experimented with a variety of media, including plastic, latex, and wood fiber, she
Bernardi Roig
Washington, DC The Phillips Collection The latest exhibition in the “Intersections” series at the Phillips Collection featured Bernardi Roig—one of the most intriguing artists working in Spain at present. In the spirit of the overall series, curator Vesela Sretenovic invited him to engage the museum both as an institution and as the former home of
Mie Olise
Los Angeles Samuel Freeman Gallery “Noplacia,” the title of Danish artist Mie Olise’s recent exhibition, is taken from the opening line of the poem that introduces Thomas More’s Utopia (1516). More invented both word and concept, basing his visualization of a perfect society on Plato’s Republic.
Zhang Huan
New Windsor, New York Storm King Art Center Zhang Huan’s multi-disciplinary blockbuster show at Storm King offered a material exercise in storytelling that turned on his biography and laid out his views on Chinese tradition, religion, and politics.
Brenda Garand
New York Lesley Heller Workspace Brenda Garand’s sculpture series “Northern Passage” reflects on the devastation caused by Tropical Storm Irene (2011), including the destruction of her Vermont studio on the White River. Garand’s notions of nature and culture evoke her French Canadian, Abenaki, and British heritages.
Todd Slaughter
Cincinnati Alice F. and Harris K. Weston Art Gallery At first glance, “Todd Slaughter: American Primitives” might have seemed designed to amuse and delight, but that’s too easy. Slaughter wants people looking at his work to think.
