New York Green Naftali London-based Lucy Gunning’s works employ video to investigate sculptural issues (such as spatial extension and temporal contingency) with installation structures thematically oriented to questions of language… for the full review see the print edition of May 1999’s Sculpture magazine.
Jason Rhoades and Paul McCarthy
New York David Zwirner One-time pioneering bad boys Jason Rhoades and Paul McCarthy have teamed to form a production company… for the full review see the print edition of May 1999’s Sculpture magazine.
Holly Zausner
New York Caren Golden The body has always been Holly Zausner’s tool. ln her exhibitions of the last few years, this midcareer sculptor created an effigy of herself, a mutable logo, a meditative, comic, elongated Gumby figure… for the full review see the print edition of May 1999’s Sculpture magazine.
Harriet Casdin-Silver
Lincoln, MA DeCordova Museum and Sculpture Park ls holographic art sculpture?… for the full review see the print edition of May 1999’s Sculpture magazine.
Dispatch: Hearing the Noise: Revolution
Liverpool International Symposium on Electronic Art (isea98) Luke Jerram, Retinal Memory Volume, 1997. View of installation. Liverpool and Manchester, the cradles of the Industrial Revolution, experienced yet another upheaval last fall, the Ninth International Symposium on Electronic Art.
David Nash
New York Galerie Lelong ln 1968, at the age at 22 and shortly after finishing art school in London, David Nash bought a chapel and attached schoolhouse in Blaenau Ffestiniog, North Wales… see the full review in the print edition of May 1999’s Sculpture magazine.
Brent Crothers
Baltimore Galerie Francoise, E.S.F. Brent Crothers’s recent show heralded new ways of expressing his love of wood by combining the material with copper, aluminum, and rubber… for the full review see the print edition of May 1999’s Sculpture magazine.
Ann Sperry
Yonkers, NY Hudson River Museum ln the opening passages of The History of Gardens, Christopher Thacker identifies gardens with icebergs… see the print edition of Sculpture magazine for the full review.
John Chamberlain
New York Pace Wildenstein Since he made his mark on the art world in the late ’50s, John Chamberlain has remained an eminently ingenious artist… for the full review see the print edition of May 1999’s Sculpture magazine.
Fabrizio Plessi
San Diego Museum of Contemporary Art One of Europe’s foremost video artists, Fabrizio Plessi, who came to prominence in Italy during the 1970s, presented five large-scale installations in an exhibition that premiered at the Guggenheim Museum SoHo in June 1998 and traveled to San Diego in November… see the print edition in May 1999’s Sculpture
