New York John Elder Gallery Judy Moonelis, Magnetic Touch (detail),1998. Mixed media. 84 x 9x9in.overall. The whole is greater than the sum of the parts, so the old saying goes. But sometimes the parts can convey the whole.
James Higdon, Stacey Chinn
St. Louis A.D. Brown Building Stacey R. Chinn, Untitled, 1997-98. Mixed media, installation view. The recent popularity of toy-themed sculptures in no way prepares one for James Higdon’s series of works titled So Much, So Many.
Gary Keown
New Orleans The Contemporary Arts Center Glancing in the mirror at a woman stepping onto a stair landing, the protagonist of Charlotte BrontesViIIette realizes almost instantly that she has seen herself for the first time “as others see her.”
Contemporary Outdoor Sculpture 5
Exeter, NH Moses-Kent House Lucy Hodgson, Steeplepeepers, 1998. Wood, shingles, and maple saplings, 10 x I ft ln its fifth year, the summer sculpture show on the grounds of the Victorian Moses-Kent House in Exeter N.H.
Tony Oursler
District of Columbia Video Dolls with Tracey Leipold Hirshorn Museum and Sculpture Garden Tony Oursler. Side Effects,1999. Mixed media with video projection. Performances by Tracy Leipold, 68.5 x 22.75 x 9.5 in. Tony Oursler’s recent exhibition at the Hirshhorn Museum announced itself with a jangle of human voices that sounded like a Hollywood version at
Jill Weinstock
San Francisco
Andy Goldsworthy
Los Angeles
Tim Hawkinson, Jannis Kounellis
Los Angeles
Liz Larner
Los Angeles
Maud Cotter
Dublin Rubicon Gallery Maud Cotter is an lrish sculptor with an extensive track record… see the full review in November’s issue.
