CALGARY, ALBERTA, CANADA Esker Foundation The artistic practice of Calgarybased Jason de Haan eludes categorization. His work inhabits an in-between space, a space of antidefinition. His recent exhibition, “Oh for eyes! At night we dream of eyes!” spoke to an interest in exploring non-hierarchical formations of objects. Wandering through the show, pondering, viewers first encountered clusters of crystals apparently growing from speakers. Placed in a large circle, the speakers emitted specific frequencies, vibrating at a distinct thrum.
“Revival: Stone and Steel”
RUTLAND, VERMONT Castleton Downtown Gallery The artists featured in “Revival: Stone and Steel” bring new life to their chosen materials in unique figural, botanical, mechanical, and conceptual ways. Selected by curator Oliver Schemm for their versatile skills and hands-on manipulation of media, they all come from the Rutland and Barre regions of Vermont, where quarrying, carving, and forging are part of the local language. Sabrina Fadial’s Burdock, an intricate sculpture incorporating steel and gold leaf, consists of 108 forged steel tapers with curlicue tips emanating from a golden core.
Sabine Senft
SAN ANTONIO Artpace Sabine Senft’s stone towers stood guard at the entrance to “Border – line Reality.” Entry portals made from massive river rocks gathered along the West Texas border, they represented the checkpoints that Senft encountered as a small child growing up in West Germany, yet they also recalled checkpoints closer to home between the U.S. and Mexico.
Paul Chan
NEW YORK Greene Naftali Paul Chan, winner of the 2014 Hugo Boss Prize, was born in Hong Kong, raised in Nebraska, and now lives and works in New York. His recent show, “Rhi Anima,” featured a group of nylon sculptures that he calls “breathers,” carefully engineered, inflated figures set in motion by fans and gesticulating wildly into empty space.
Deviant Modernism: A Conversation with Ana Maria Tavares
The work of Brazilian artist Ana Maria Tavares provokes unforgettable experiences. Using industrial materials such as steel, glass, and mirrors in combination with organic elements, she constructs sometimes slick interventions that resemble street furniture, barriers, handles, and turnstiles.
Ai Weiwei; Jacques Herzog and Pierre de Meuron
NEW YORK Park Avenue Armory Hansel & Gretel presented a fitting cautionary fairy tale for our post- Snowden world. This large-scale interactive installation in the Wade Thompson Drill Hall of the Park Avenue Armory was the latest collaboration between Ai Weiwei and the architects Jacques Herzog and Pierre de Meuron. Like their “Bird’s Nest” stadium for the 2008 Beijing Olympic Games and 2012 pavilion for London’s Serpentine Gallery, this commissioned project, curated by Tom Eccles and Hans-Ulrich Obrist, continued to engage with the politics of public space and the psychological effect of architecture.
Doubting Clarity: A Conversation with Josiah McElheny
A sculptor, performance and installation artist, filmmaker, curator, and writer, Josiah McElheny holds a unique place in the contemporary art world. He is best known for work that uses glass, but he also employs many other materials and engages in collaborations with a wide variety of voices, from artists to art historians and literary translators.
Tania Pérez Córdova
CHICAGO Museum of Contemporary Art “Smoke, nearby,” the ambiguous title of Tania Pérez Córdova’s first major U.S. museum exhibition (organized by José Esparza Chong Cuy), alerted one to the convoluted sensibility at work in the show. Born in Mexico City, Córdova received her BA in fine art, studio practice, and contemporary critical studies at Goldsmiths College in 2005.
Stanley Rosen: Radical Roots
Despite the radical openness and pluralism that characterize contemporary artistic practice, the phrase “ceramic sculpture” can still be interpreted as an oxymoron. There are exceptions, of course, such as Turner Prize nominee Rebecca Warren’s evocative figures and Ken Price’s colorful abstractions.
Sandra Muss
WASHINGTON, DC The Kreeger Museum Walking through the woods at the Kreeger Museum, visitors encounter a series of seven rather mysterious pillars (the seven pillars of wisdom from Proverbs?), although it takes a moment to identify them since they are only partly there, somewhat like a magician’s now-you-see-it, nowyou- don’t feint. Made of reflective stainless steel and enclosed by a wire trellis threaded with vines and leaves, the pillars were created by Sandra Muss, an artist based in Washington DC, New York, and the Berkshires.
