French conceptual artist Laurent Grasso recaptures something of the exciting uncertainty that characterizes scientific theories at the nexus of knowledge and belief. Inspired by the history of brilliant and beleaguered attempts to apply science to social well-being, he has been particularly influenced by Buckminster Fuller and the German physicist Winfried Otto Schumann.
Remastering Masterworks: A Conversation with Barry X Ball
Celebrated for his striking sculptural portraits of art world figures and exquisite remakes of art historical masterpieces, Barry X Ball dynamically connects the past to the present in his sophisticated and sensitive work. Employing computer technology and immeasurable hours of handwork, he carves precious stones into extremely expressive works of allegorical art.
Oscar Tuazon
BELLEVUE, WASHINGTON Bellevue Arts Museum “Collaborator,” Oscar Tuazon’s recent exhibition, reprised and reinstalled various projects with his brother and fellow artist, Elias Hansen, added new collaborations, and, most importantly, used BAM’s 2001 building as a plinth for older works as well as a frame for new rearrangements.
Susan Collis: Looking at the Overlooked
At first glance, Susan Collis’s “Without you the world goes on,” at the Des Moines Art Center last year, looked more like an after-hours jobsite or an installation in progress than a finished art exhibition. Bundles of wood, a pair of worker’s overalls, a table, ladder, and chair, brooms, some drop cloths, a storage bag, even a tattered blue plastic tarp lay scattered about or were haphazardly pinned to the walls.
Woody De Othello
NEW YORK Karma De Othello employs a popularizing faux naiveté, deliberately handling sophisticated materials in a crude way, as if an expert had assisted a child. Here, the presentation mocked despair, weighed urban desolation with historical oppression, and ended on an uplifting note that was neither condemning nor angry.
Mrinalini Mukherjee
NEW YORK The Met Breuer The work of Mrinalini Mukherjee (1949–2015) is astounding, melding craft, high concept, and humor with the consequences of pressing Modernism through the sieve of traditional Indian cultural forms. Her sculptures are overtly sensual, referencing aspects of human sexuality and the fecundity of nature. Both simple and complex, they play at the boundaries between abstract and figurative, artificial and natural.
“Between Bodies”
SEATTLE Henry Art Gallery, University of Washington The eight artists featured in “Between Bodies” take us from the air down to minerals deep in the earth, to untamed rivers, to smoking forests, and finally to the sounds and micro-organisms of the deep sea. They explore metaphors of sexual transformation, intraspecies and trans-species communication, future avatars and present voices.
Zoë Sheehan Saldaña and Glenn Adamson in Conversation
“There Must Be Some Way Out of Here,” on view at the Aldrich Contemporary Art Museum through May 25, 2020, is artist Zoë Sheehan Saldaña’s most comprehensive exhibition to date. It consists of some 50 handmade objects—“artistic camouflage,” as the museum puts it—that appear to be ordinary items one might find in any home.
Ave Fénix: Una Conversación con Silvia Battistuzzi
Silvia Battistuzzi está formada en el campo del psicoanálisis, dibujo y pintura en los talleres de la Asociación Estímulo de Bellas Artes en Buenos Aires, así como tomando seminarios internacionales y clínicas de arte con curadores y críticos.
Siah Armajani
NEW YORK The Met Breuer The exhibition included a striking display of models from the “Dictionary for Building” series (1974–75). Occupying much of a large gallery, a lengthy counter displayed 150 small-scale maquettes depicting the architectural elements of a house combined into different permutations, complete with odd furniture.
