Anish Kapoor
London Lisson Gallery For Anish Kapoor who has said, “l think I am a painter who is a sculptor,” colors symbology is infinite… for the full review see the print edition of March 2001’s Sculpture magazine.
Robin Bernat
Atlanta Solomon Projects What if your living room floor dissolved into moss and your walls faded to a folding paper screen?… for the full review see the print edition of March 2001’s Sculpture magazine.
“The Truth About Beauty”
Atlanta The Dalton Galleries, Agnes Scott College The space of the Dalton Galleries at Agnes Scott College engaged the work of Richard Beckman and Kay Hwang in the exhibition “The Truth About Beauty,”… for the full review see the print edition of March 2001’s Sculpture magazine.
Tom Aprile
Chicago Sonia Zaks Though long intrigued with the transformative possibilities of trees, sculptor… for the full review see the print edition of March 2001’s Sculpture magazine.
“Elements 2000”
New York Consisting mostly of sculptural installations, “Elements 2000” was mounted at seven participating sites in conjunction with the Women’s Caucus for Art and the 88th Annual College Art Association Conference… for the full review see the print edition of March 2001’s Sculpture magazine.
“sci + ART + tech” “Electrus: Millennial Synergy”
Clinton, NJ Hunterdon Art Museum “sci + ART + tech” and “Millennial Synergy” transformed the Hunterdon Museum of Art into the playful workroom of an eccentric inventor… for the full review see the print edition of March 2001’s Sculpture magazine.
“An Acre of Art”
Minneapolis Minneapolis Institute of Arts “An Acre of Art” was a smart, wide-ranging exhibition whose three distinct but related components proved to be a conceptual challenge for some viewers… for the full review see the print edition of March 2001’s Sculpture magazine.
Luca Buvoli
Cambridge, MA MIT List Visual Arts Center Step nr29: “You experience emptiness, yet you are not empty. Every time you think you are achieving something, you must cast it away.”… for the full review see the print edition of March 2001’s Sculpture magazine.
