Tullamarine and Eastern Freeways Sculpture has long accommodated the quick glance of the passing pedestrian. Now, however, with a fast-moving,… for the full review see the print edition of May 2001’s Sculpture magazine.
Dispatch: San Francisco Airport
Travelers flying into or out of the San Francisco International Airport (SFO) might feel as though they’ve been upgraded to first class… for the full review see the print edition of May 2001’s Sculpture magazine.
Daniel Buren
Palermo Lo Spasimo Santa Maria del lo Spasimo (known as Lo Spasimo) in Palermo symbolizes not only the recent renewal of the city but also five centuries of evolving culture and history… for the full review see the print edition of May 2001’s Sculpture magazine.
“Creating Perfection”
Seattle As Mark Twain wrote, no one ever went broke inventing a religion in America, and the Shakers were no exception… for the full review see the print edition of May 2001’s Sculpture magazine
“From Idea to Matter”
Richmond Virginia Commonwealth University Anderson Gallery Curated by Edward Albee, “From Idea to Matter” reveals the playwright’s conviction that “sculpture asks a more complex suspension of disbelief on the part of the viewer,… for the full review see the print edition of May 2001’s Sculpture magazine.
John Ruppert
Millersville, PA Ganser Gallery In “Phenomenon and Materials,” John Ruppert played with the notion of reproduction and replication… for the full review see the print edition of May 2001’s Sculpture magazine.
Paul Sutinen
Marylhurst, OR The Art Gym and Marylhurst University Campus The title of Paul Sutinen’s exhibition “lncidents and ldeas, 1975-2000” suggests the nature of his work in and around Portland, Oregon, during the past quarter century… for the full review see the print edition of May 2001’s Sculpture magazine.
Doris Salcedo
New York Alexander and Bonin Colombian sculptor Doris Salcedo first gained international attention with her series “Attrabiliarios,”… for the full review see the print edition of May 2001’s Sculpture magazine.
Sal Romano
New York Pardo/Lattuada Gallery When the sculptor Sal Romano told me that he began his career as a painter and that he was deeply influenced by Cezanne… for the full review see the print edition of May 2001’s Sculpture magazine.
“Reservation X, The Power of Place in Contemporary Aboriginal Contemporary Art”
New York National Museum of the American Indian The success of “Reservation X” lies in a notion central to contemporary native art-the belief that collective experience is not only deeply political but also aesthetic and ethical… for the full review see the print edition of May 2001’s Sculpture magazine.
