TORONTO Museum of Contemporary Art Toronto In his first major Canadian exhibition, spanning over a decade of work, a lightness infuses this memory, more introspective than retrospective, telling less of where Demand has been than foreshadowing where he is going.
Relaciones Multiespecie: Una Conversación con Romina Orazi
Romina Orazi, artista plástica, ambientalista y jardinera oriunda de Chubut, Argentina, se autodefine como “partícipe de la cultura libre.” Estudió la Licenciatura en Artes Visuales en el Instituto Universitario Nacional del Arte y jardinería en la escuela Carlos Thays.
From the Ruins: A Conversation with Raymon Elozua
For more than 40 years, Raymon Elozua has maintained a career largely outside of the commercial art world, forging his own path in creative and enduring ways.
Come For the Experience: A Conversation with Richard Jackson
There is a churlishness about Richard Jackson that hasn’t diminished with age. One of America’s most radical artists, he has expanded the definition and practice of painting, taking it into previously unthought-of dimensions.
Rona Pondick
NEW YORK Marc Straus Gallery The drawings clearly swayed the production of the sculptures, which are pervaded by the same underlying sense of disquiet. Pulsating with subdued energy, each work features two or more figures and has its own presence and implied narrative.
Shifting Sand: A Conversation with Connie Zehr
When Connie Zehr arrived in Southern California in the 1960s, she joined a loosely connected community of young artists whose experiments with unorthodox materials and environments defined what became known as the Light and Space movement.
Torkwase Dyson
NEW YORK Pace For Dyson, the intervention of her touch on industrial materials produces “discursive refusals” that leads to new world building.
The Garden of Waste: A Conversation with Lucila Gradín
Lucila Gradín, who was born in Bariloche, Argentina, and now lives in Buenos Aires, develops her work around nature, specifically investigations into tinctorial and medicinal plants. Recently she has also been working with native plants that have all but disappeared.
Theaster Gates
NEW YORK New Museum Gates’s highly individual clay forms—some spiked and tall, some squat and shiny, bulbous, cylindrical, or drawn upward as narrow tubes—are an assembly of voices, each with its own sensual concentration of material density and un-mattered spirit.
