Sifting through layered realities, Alan Michelson locates critical junctures in the life of occupied sites. His visual enigmas, both substance and illusion, probe the most elemental of relationships—the link between human beings and place. Encompassing a range of media, Michelson’s work has evolved from his beginnings as a painter grounded in the pristine panoramas of
Kaz Oshiro and Dan Douke
Santa Monica, California Los Angeles’ longstanding obsession with car culture…see the full review in May’s magazine.
Jan van Munster: Sculpture as Energetic Process
When faced with “difficult,” non-objective art, viewers most commonly want to know what the artist was thinking while making the work. Only rarely has an artist so openly documented his thoughts as Jan van Munster has with his Brainwaves.
Takeshi Shinohara
Gifu Prefecture, Japan The work of Japanese artist Takeshi Shinohara, which…see the full review in May’s magazine.
Alejandro Almanza Pereda
New York Alejandro Almanza Pereda explores risk as a concept…see the full review in May’s magazine.
Konstantin Dimopoulos: Sinuous Color
Konstantin Dimopoulos refers to his sculpture as dynamic rather than kinetic: for him, the term “kinetic” implies a mechanism with moving parts—and “mechanical devices always break down.” Since 1998 he has been exploring movement with his sculpture and has devised an ingenious way of harnessing wind power in works that flex and bend, vibrate and
Cecilia Miguez
West Hollywood, California The End of Time—The Missing Hour, which anchored…see the full review in May’s magazine.
Eric Guzman
New York Eric Guzman’s show “The Lost Sense,” featured a…see the full review in May’s magazine.
