New York Tenri Cultural Institute of New York Kathleen Elliot’s glass sculptures straddle the line between ritual and playfulness. Her work, which stems from a love of natural forms, explores how the wonders of nature, big and small, have an indisputable calming effect on us as we muddle through the distractions of daily life.
“OccupyING the Present”
Boston HarborArts Outdoor Gallery HarborArts Outdoor Gallery not only features a permanent collection of large-scale sculpture, it also hosts temporary exhibitions at the Boston Harbor Shipyard and Marina. Located in East Boston, directly across the harbor from the Institute of Contemporary Art, the 14-acre shipyard offers its grounds, walls, and roofs to artists with the
Frieze New York 2013
New York Randall’s Island Park With Paul McCarthy’s 60-foot-tall Balloon Dog leading the way, sculpture made a strong showing at Frieze New York 2013. Nearly every gallery displayed three-dimensional work, often involving installation or non-traditional materials, making it clear that sculpture can be made from and be just about anything these days.
Anonymous Exchanges: A Conversation with Shinique Smith
Shinique Smith’s sculpture, paintings, and collages reflect the belief that possessions reveal identity, create personas, and confer power. She is a student of the social totems represented by clothing and furnishings, observing how they perform along a spectrum of duty, beginning with function and ending as narrative.
Beyond the Canvas: A Conversation with Annette Lemieux
Annette Lemieux, who was raised in Torrington, Connecticut, grew up in an atmosphere of Yankee pragmatism. Though she was expected to go to secretarial school after graduating from Catholic grammar school and public high school, she elected instead to pursue a degree in the arts.
Steven Claydon
Los Angeles David Kordansky Gallery In this exhibition, English artist Steven Claydon presented a group of sculptures that, despite their conceptual nature, are oddly traditional and highly theatrical. The work is concerned with communicating connections between matter and information, meaning and status.
In Search of Universal Dialogue: A Conversation with Jackie Sleper
In a highly unusual mixture of schooling, Utrecht-based Jackie Sleper studied at both the College of Agriculture and Horticulture (now Wellantcollege) and the Utrecht Academy of Visual Arts. While art school honed her technical skills, “farmer’s school,” as she likes to call it, taught her about the fragility of life, the sanctity of nature, and
Kishio Suga: Stealth Objects
Looking at Kishio Suga’s work is like watching a photograph develop: it makes itself available gradually, subtly, indirectly, yielding its content slowly. It’s sculpture that flies under the radar, taking you by surprise. Suga believes that concepts exist in physical things before they’re used in an object and that the artist’s task is to reveal
Material Performance: A Conversation with Phoebe Cummings
Phoebe Cummings uses unfired clay to make poetic and performative sculptures and installations that emphasize material, fragility, time, creation, and decay. Working across art, design, and ceramics, she has had a number of residencies in the United Kingdom, the United States, and Greenland, including three months as a Kohler Arts/Industry Resident (2008) and six months
55th Venice Biennale
Venice The 55th Venice Biennale was less about art world trends and more about real world issues. There was Cuban art about escape, Angolan art about the remnants of an impoverished society, Chinese art about the invasion of privacy at airports, and Hungarian art about bombs that, in both world wars, were fired but didn’t
