Mahwah, New Jersey Ramapo College of New Jersey Ryan Roa’s black bungee-cord sculptures recall Minimalist efforts of more than a generation ago. His works are perhaps more accurately described as drawings in space: Roa links one cord to another and tethers them to the ceiling, wall, or floor to produce linear as well as volumetric
Jordan Eagles
Boston Mills Gallery Jordan Eagles has discovered that blood, dried in quantity, turns into rock-like forms and then crumbles into flakes and dust. Distributing this medium with an unerring eye on a large backing, he then seals it into place with UV resin.
Julianne Swartz
Indianapolis, Indiana Indianapolis Museum of Art For Julianne Swartz, liminality is the common locus across disparate objects and materials. She holds some aspects of her work just outside of perceptibility and invites viewers to become participants, to cross thresholds of comprehension and thus fulfill the works.
Ron Nagle
San Diego San Diego Museum of Art Ceramic sculptor and musician Ron Nagle is a master of intimate scale. For the past 50 years, he has been making highly refined objects, often no larger than several inches, which are notable for their irreverence, allusive form, and extreme attention to detail.
Lonnie Holley
Atlanta Cash Rojas Projects Lonnie Holley, best known for his found-object assemblages, sandstone carvings, and otherworldly music, is a self-taught artist who defies easy categorization. Many of his sculptures are imbued with the narrative common to folk art, while others have a Modernist aesthetic, emphasizing formal qualities.
When Words Fail: A Conversation with Peter Randall-Page
Nature provides a multifarious range of forms, held in suspended animation between the polarities of stasis and transformation. Peter Randall-Page offers a Neoplatonic view of the world through his work, linking these forms in order to explore analogies between seemingly unrelated phenomena.
Michael Jones McKean and the Set of All Things
In 2011, Michael Jones McKean began a series of segmented low-relief sculptures whose titles suggest an unnerving, impossible, but seductive universality. Each work is designated by a categorical term preceded by “the”—The Republic, The Religion, The Folklore, The Comedy, The Garden—singly and collectively referencing the human effort to interpret, theorize, associate, narrate, classify, and collate.
Paulina Webb: Rational Passions
The Buenos Aires-born sculptor Paulina Webb produces a great variety of work. After graduating from the National School of Fine Arts Prilidiano Pueyrredón and the National College of Fine Arts Ernesto de la Carcova, she completed her studies with a specialization in combined artistic languages at the National Institute of Arts, and she now teaches
Huang Zhen: Building the Image
On my recent travels to Beijing, I have looked for good young sculptors, but I have been mostly disappointed. A visit to the huge sculpture studio at the Central Academy of Fine Arts (CAFA), acknowledged as China’s best art school, convinced me of the technical skill of the students, who were working on a copy
My Body Is Your Vehicle: A Conversation with Janine Antoni
Is it possible to touch something with sight, to feel something deeply in a total state of awareness? For Janine Antoni, creative process takes on a psychological disposition. She creates objects with an intense admiration of life, in which her body is your vehicle, a fulcrum of perception, in which senses are enabled through corporeal
