Boston Boston Sculptors Gallery Welsh-born sculptor Mags Harries comes from a long line of sea captains, and water, with its visual, aural, tactile, kinetic, and even olfactory properties, has long inspired her work. In 2012, together with her partner, artist/architect Lajos Héder, Harries was invited to create a permanent installation in China’s Xixi National Wetland
Benjamin Bellas
Chicago slow A church pew and cold beer greeted visitors at the entrance of Benjamin Bellas’s recent show. The beer was a basil ale, brewed specially by the artist, and the pew was Protestant, moved hundreds of miles from a small-town chapel to this storefront gallery in Chicago.
Cyrus Tilton
Oakland Vessel Gallery This is Cyrus Tilton’s fourth exhibition at a gallery near downtown Oakland, part of a recent burst of art activity that started there in 2006, when a few storefronts began to display artworks.
Drew Conrad
New York Fitzroy Gallery In “Ain’t Dead Yet,” Drew Conrad’s iconography of turned wood, Victorian printed wallpaper, and LP record albums evoked an indeterminate past. Indicative of prewar architecture, wood lath and plaster become vehicles for sculptural communication, especially as Conrad strategically clusters, exposes, and breaks them down.
Joan Danzinger
Washington DC Katzen Arts Center at American University The two-story atrium of the Katzen Arts Center, aggressively bisected by a large staircase that leads to the upper galleries, has always been a challenge for exhibiting painters and sculptors.
Jason Meadows
Los Angeles Marc Foxx Now hitting mid-career and mid-stride, Jason Meadows is a sculptor’s sculptor who often invokes the lexicon of 20th-century Modernism with his skilled choreography of volumes and materials while emphatically embracing a postmodern love of cultural pastiche.
Blue McRight
Los Angeles Samuel Freeman Gallery Blue McRight’s recent exhibition, “Quench,” featured a semi-installational aggregation of nearly 50 individual pieces. These objects emerge from a loosely linked set of concepts involving nature, personal experience, and environmental reality, following Deleuze and Guattari’s notion of “rhizomatic thinking.”
Cheryl Ekstrom and JD Hansen
Los Angeles Leslie Sacks Fine Art Blue McRight’s recent exhibition, “Quench,” featured a semi-installational aggregation of nearly 50 individual pieces. These objects emerge from a loosely linked set of concepts involving nature, personal experience, and environmental reality, following Deleuze and Guattari’s notion of “rhizomatic thinking.”
William Kentridge
Rome MAXXI Much has been written about William Kentridge’s epic installation, The Refusal of Time, which was produced for Documenta XIII. After Kassel, the piece was reconfigured and moved to MAXXI, Rome’s still relatively new Museum of the Art of the 21st Century… see the entire review in the print version of July/August’s Sculpture magazine.
Damien Hirst
London Tate Modern When I walked into Tate Modern for Damien Hirst’s retrospective, I was very positive and full of expectations, but I left with contradictory thoughts—not about Hirst’s work per se, but about the value of an anthological exhibition devoted to his work.
