M.J. Anderson

Seattle Davidson Galleries The central problem with working in marble today is the inescapability of antique and Renaissance models… for the full review see the print edition of March 1999’s Sculpture magazine.

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Meryl Taradash

Bridgehampton, NY The Elaine Benson Gallery As part of a benefit exhibition for The Nature Conservancy at The Elaine Benson Gallery in Bridgehampton, which featured the work of 13 artists that reflected the inspiration of the landscape, Meryl Taradash’s installation “Wind Driven Sculptures” took itself out of this narrow category and expanded the notion of

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Marcos Lora Reed

Miami Miami Art Museum Marcos Lora Read is a nomad. He is a world citizen, international artist, and the ultimate contemporary man… for the full review see the print version of March 1999’s Sculpture magazine.

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Ellsworth Kelly on the Roof

New York Metropolitan Museum of Art l like the idea of sculpture going up into the sky,” reveals Ellsworth Kelly as he takes stock of his large-scale sculptures in the exhibition “Ellsworth Kelly on the Roof,” at the Metropolitan Museum of Art… for the full review see the print edition of March 1999’s Sculpture magazine.

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Barbara Kruger

Southampton, NY The Parrish Art Museum Barbara Kruger’s installation on the facade of The Parrish Art Museum beckoned the viewer to walk along and stand among her signature graphics in one of her most affectionate and sculptural works to date.

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