Rome Galleria De Crescenzo & Viesti On the wall opposite the entrance to Marina Paris’s exhibition, “Taglia Unica,” hung 20 items of children’s clothing, at regular intervals. All painted in the same blue, the garments were plumped and contoured, as if recently worn; paint was irregularly applied; fat drops leaking from the texture of the
Tim Hawkinson
New York Ace Gallery Critical appraisals of Tim Hawkinson usually revolve around his image as a bizarro California inventor dude, puttering away on his strange thingamabobs. There’s no doubt that Hawkinson is often dazzlingly inventive; his ambitious work over the last decade has rightly earned him a reputation as a singular tinkerer.
Gabriel Orozco
New York Marian Goodman “What l’m after is the liquidity of things”-so begins a brief article about his films by the Mexican conceptual artist Gabriel Orozco, who likes to improvise with objects off the street. His ironic, casually subversive sensibility was available to the viewer in his second solo show at Marian Goodman, titled“Free Market
Steven Brower
New York Lombard/Freid Gallery Steven Brower, Steam Plant (Boiler and Steam Engine), 1999. Aluminum, brass, copper, and steel, 16.5 x 4.5 x 11 in. and 6.25 x 15 x 15 in. The information kiosk at the entrance to the Lombard/Freid Gallery is the tip-off.
Julie Speidel
Seattle Foster/White The 12 sculptures Julie Speidel assembled for her seventh solo exhibition in Seattle since 1987 affirmed a growing power over a variety of materials but, more importantly, indicated a conquest over all three dimensions that was not always present in her earlier work.
Marcos Ramirez (Erre)
San Diego The Museum of Contemporary Art Located amidst the bustle of downtown city streets, Marcos Ramirez’s 14-foot Acorazado asserts a commanding presence. Painted camouflage gray, the massive sculpted heart blends with the metallic tones of the city environment, while appearing as an unexpected surprise.
Jonathan Liss
Cleveland The Sculpture Center Location is everything. Jonathan Liss investigates the intersection of this market-derived truism with the institutional practices, dynamics, and the physical site of Cleveland’s Sculpture Center in his installation. The exhibition’s title, “Jonathan Liss; ‘The Sculpture Center,”‘ describes a space of heightened self-reflexiveness, which characterizes Lisss recent projects.
Zonok Ben-David
San Francisco Walter/McBean Gallery San Francisco Art lnstitute A soft layer of light-colored sand covered the floor of the Walter/McBean Gallery for Zonok Ben-David’s installation, Evolution & Theory. Literally hundreds of figures, delicately crafted from sheets of aluminum and wire, were placed like markers through the landscape.
Ronald Garrigues
San Francisco 111 Minna Street Gallery Ronald Ganiques, Overpopulation/The Crux of the Malter 1, 1995. Cast bronze, 23.75 x 9 x 18in. Ronald Garrigues’s artistic vision is undeniably bleak. A recent solo exhibition brought together the body of work that has consumed Garrigues for the past decade.
On the Ball
Lincoln, MA DeCordova Museum and Sculpture Park The prototypical, the original three-dimensional form-the sphere-was the theme of “On the Ball,” last winter’s exhibition at the DeCordova Museum and Sculpture Park… see the print version of July/August 1999’s Sculpture magazine for the full review.
