WASHINGTON, DC The Phillips Collection INVISIBLE, SILENCIO, NO—these are the only words in Marta Pérez García’s poetic installation Restos-Traces. The ghostly assembly of 19 female torsos immediately strikes a nerve.
Rana Begum
LONDON Pitzhanger Manor and Gallery The central sculptural installation in the gallery, No. 1081 Mesh (2021), seems to billow under the domed glass ceiling, acting as a conduit between viewers and the outside world, filtering daylight from the window above and drawing attention to the colored glass.
Abdulrazaq Awofeso
BIRMINGHAM, U.K. Ikon Gallery Awofeso takes this blankly ubiquitous material—used for transporting goods around the globe—and imbues it with humanity and character, using a variety of display techniques to evoke the personal and the collective experience of human migration.
Cristina Iglesias
LONDON Royal Academy of Arts Like many of Iglesias’s works, Wet Labyrinth forms a private place in a public space, offering a degree of seclusion and intimacy. It is also a space of memory and imagination.
Henry Moore
SOMERSET, U.K. Hauser & Wirth Lunar light creates the most unearthly depths and shadows and appears to enlarge silhouettes, its dramatic illusions heightening the sense of wonder and mystery. For Moore, this profound experience at Stonehenge precipitated a career-long investigation into scale, material, volume, and the juxtaposition of art and nature.
Virginia Overton
LONDON Goldsmiths CCA Overton takes on Caro and other heavyweights of this traditionally masculine domain with aplomb, and on her own terms; her new works feature welded steel and hefty brass tubes alongside aromatic red cedar, mirrored disco tiles, and sheepskin, demonstrating a lightness of touch and material playfulness.
Raúl de Nieves
BOSTON Institute of Contemporary Art Whatever the form of de Nieves’s lines—strings of beads, shreds of paper, strokes of paint, or literal threads—they suggest how the present is connected to the past. To pursue his lines is to trail a map of remembrances.
Nicole Eisenman
NEW YORK Hauser & Wirth Nicole Eisenman’s practice has always been intense, studio-focused, and personal. Their current exhibition, “Untitled (Show),” is overflowing with sculpture and painting, almost two shows in one.
Yuriko Yamaguchi
WASHINGTON, DC Addison Ripley Fine Art Yamaguchi’s sculptures, like elegant Rorschach inkblots, tease with allusion even as they morph to dazzling abstraction.
