BUFFALO, NEW YORK Buffalo Arts Studio Indeed, the warmth has been leeched from every surface in “Homing,” not because the artists lack humanity, but because of all the damning evidence they have accrued while desperately mining the souls of our technologies and illuminating their injustices.
Eva LeWitt
NEW YORK Luhring Augustine Though LeWitt’s use of commercial materials and repetitive shapes would seem to emphasize the minimal and quotidian, the cumulative effect resulted in a constantly changing field of immersive wonder.
Margherita Raso
NEW YORK Italian Cultural Institute in New York Interdisciplinary artist Margherita Raso has literally changed the atmosphere for “Vizio di Forma,” an exhibition-cum-installation that marks her U.S. institutional debut. Inside a small room occupied by three new bodies of sculptural work, the temperature has been lowered to a consistently cool degree.
Robert Indiana
WEST BRETTON, WAKEFIELD, U.K. Yorkshire Sculpture Park For Indiana, numbers were autobiographical, and he related key moments in his life to specific digits, painted in symbolically resonant colors.
Marc D’Estout
SAN FRANCISCO Jack Fischer Gallery D’Estout is an incredibly patient, old-school kind of sculptor, employing a slew of mad skills to fabricate, manipulate, and orchestrate his materials into shapes that imply rather than declare their points of reference.
Roxanne Jackson
NEW YORK The Hole By asking how we can reclaim monstrosity, Jackson’s work becomes an explosive combination of Grand Guignol, Jungian philosophy, and the poetry of Carmen Giménez Smith, extracting and exploiting the tissues that bind the sexual and the grotesque.
Yinka Shonibare
GRAND RAPIDS, MICHIGAN Frederik Meijer Gardens and Sculpture Park Shonibare’s works are freighted with fierce contradictions, much like the 18th- and 19th-century European eras from which he derives his inspiration.
Jonathan Latiano
BOSTON Boston Sculptors Gallery Love to the Letter and the Letters Spelled Death is incisive and poetic. Clearly, Latiano’s passion and ruminations on “deep time,” from prehistory into the future, are driving elements.
Abbas Akhavan
ISLE OF BUTE, SCOTLAND Mount Stuart In a sandstone crypt, deep beneath the ornate Marble Chapel, Akhavan has cultivated a self-sustaining, closed-system garden consisting of plants and reclaimed materials gathered on the estate.
Arthur Simms
NEW YORK Martos Gallery Simms’s repetitive binding brings to mind the work of Jackie Winsor and Eva Hesse, and he shares with them an embrace of process and industrial materials.
