Fiona Kinsella

HAMILTON, ONTARIO Art Gallery of Hamilton Like an unfolding origami crane, Fiona Kinsella’s work reveals itself in layers. Her exhibition “Cake” challenged viewers to “think beyond surfaces” and to cross the “gray line of how people perceive beauty.”

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Jitish Kallat

CHICAGO Art Institute of Chicago During the World’s Columbian Exposition in 1893, the Art Institute of Chicago hosted the first World Parliament of Religions—one of the most significant assemblies in the history of modern religion.

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Judith Page

NEW YORK Lesley Heller Workspace At once familiar and strange, disturbing yet comforting, Judith Page’s sculptures recycle personal items into enticing assemblages that probe the slippage between dreams and experience, memory and time.

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Mary Coble

WASHINGTON, DC Conner Contemporary Water and endurance: in Mary Coble’s recent exhibition “Source,” what might have conjured images of torture instead generated an engrossing meditation on purification and renewal.

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Phyllida Barlow

London Serpentine Gallery Phyllida Barlow has felt the need to assemble and experiment since she was a child. As one of Charles Darwin’s 16 great-great grandchildren, perhaps she was genetically predisposed to such a trait, but even though Barlow grew up in the aura of her famous relative, her mother always emphasized the need for

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