Robert Berman Gallery Santa Monica, CA Anne Baxter’s precise and provocative wire-mesh sculptures parody the structures of art and life. This young American, who emerged on the Parisian art scene in 1990, recently presented some 20 new works in Santa Monica that suggest a familiarity with the devilish complexities of Derridian philosophy… See the print
Elena Zang Gallery Outdoor Sculpture Exhibition
Shady, NY A certain curiosity about structure and a willingness to play with its conventions mark the work of artists gathered into this years outdoor sculpture exhibition at the Elena Zang Gallery in Shady, New York… See the print version of Sculpture Magazine to view this review in full.
Midwest Express Center
Milwaukee “Homeward bound at last, north from Milwaukee on Christmas eve. The red towered station looks very German. But the stern, tattered, tall twilight is American; little by little it will change the German faces; and all that in the near future we can hope for, or fear, is resemblance.”
Saint Claire Cemin
Washington DC Baumgartner Gallery ln Saint Claire Cemin’s recent show at Baumgartner, surfaces sparkle and forms shift. The artist is seen once again, a master delighting in his material and arousing that same curiosity in the viewer This time, the focus is marble, a material that carries the heritage of the classical tradition, the ongoing
Elizabeth Hall
The Art Museum, Florida International University Miami Some artists are so subtle in their approach to the viewer that they may make contact with only a very small number of the people who see their work, satisfied that this “special” group understands their meaning, Others bombard the viewer with the message they want to communicate,
Monika Weiss
Atlanta
Ten Years of Site-Specific Art
Ten years of evolution in site-specific art can be neatly bracketed by the “Skulptur Projekte” exhibitions held in Münster in 1987 and 1997….see the full review in March’s magazine.
Claudio Parmiggiani
Turin, Italy Promotrice delle Belle Arti For this exhibition, curators Gianni Vattimo and Valentina Castellani selected 40 works from private European collections… for the full review see the print version of March 1999’s Sculpture magazine.
