Edinburgh-based Andrew Gannon—along with 2025 Turner Prize winner Nnena Kalu, Daisy Lafarge, and Jo Longhurst, the three other artists currently featured in “We Contain Multitudes” at Dundee Contemporary Arts (DCA) in Scotland—makes work from a position of disability, in his case a congenital limb difference.
Elisabetta Di Maggio
TURIN Galleria Civica d’Arte Moderna e Contemporanea Di Maggio’s technical language embraces mutability. Her work suggests organic remnant, decorative product, and artwork; and her co-ordination of eye, hand, and sharp-pointed instrument can fool the observer into imagining a machine was involved rather than a human.
Intérprete del espacio cotidiano: Una Conversación con Daniel Basso
Daniel Basso, nacido en Mar del Plata, Buenos Aires, cursa estudios de pintura en la Escuela Superior de Artes Visuales Martín Malharro de su ciudad. Desde 2002, desarrolla una obra que él mismo calificada como “una interpretación del espacio en función de fenómenos formales que provienen de la observación de entornos urbanos y domésticos,” utilizando
“How To Dream Worlds”
SINGAPORE Singapore Art Museum By recognizing the spatiality of human life, SAM’s biennial posed thoughtful questions about the onset of a new era of crisis associated with the post-modernization of the contemporary world.
Maneuvering the Consequences: A Conversation with Alison Hiltner
Recipient Of The 2024 Innovator Award Minneapolis-based Alison Hiltner expertly merges science fiction, technology, and the human experience into multimedia, experiential installations that embrace curiosity and a deep sense of wonder. Touch, time, and a keen sense of the absurd feature heavily in her works, provoking unusual connections and insights.
Emphasizing Tension: A Conversation with Lili Dujourie
Belgian artist Lili Dujourie, whose career spans close to 60 years, achieved acclaim in the 1980s with her use of velvet as a sculptural substance rich in implications. Many artists who appropriate largely ignored materials continue to exploit them for years as a trademark, but not so with Dujourie.
Clusters of Memory: A Conversation with Jeffrey Gibson
For the last 15 years, Jeffrey Gibson, the first Native American artist to represent the United States at the Venice Biennale, has been actively working to change the context and perception of Indigenous art. In addition to his personal exploration of heritage through materials and techniques, he also strives to collapse the gap between Indigenous
Enrico David
TURIN Museo d’Arte Contemporanea Castello di Rivoli The essence of drawing, its linearity and spatiality, are never fully lost, and David’s willingness to get under the hood of an artform is one of his work’s strongest appeals.
Hilary Harnischfeger
NEW YORK Uffner & Liu Depending on whether the edges are in view, one’s impulse to read these forms in terms of the geologic record or cartographic tradition varies.
