Joanna Malinowska

NEW YORK CANADA In Malinowska’s case, a casual arrangement of objects enables her to suggest interpretive links from one work to the next—a highly efficient way of creating an open field in which the artist’s decisions are placed to the side in favor of the viewer’s imaginative connections and intelligence.

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Elina Autio

HELSINKI Forum Box After years of producing wall-dependent compositions—works that resemble hangings, misaligned Venetian blinds, wooden screens, and rows of exposed pipes—Elina Autio has turned to the floor. While the departure seems unexpected, these new works also recall furnishings, specifically small tables or beds, and closely relate to earlier projects.

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Nicole Eisenman

NEW YORK Madison Square Park Nicole Eisenman, in her artist statement for Fixed Crane, muses about the ways that an urban landscape might sustain the mental and physical health of its citizens, imagining a future in which open-air green markets, public pools, dog runs, community greenhouses, and affordable housing would replace luxury apartment buildings.

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The Los Angeles Fires

The Eaton and Palisades fires burned through 55,000 acres of neighborhoods for nearly three weeks. For the Los Angeles art community, every day brought reports of grief and loss as the count of artists who lost their studios, homes, livelihoods, and lifework rose.

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