Garret Kane, an interdisciplinary sculptor, animator, and writer currently working in Brooklyn, New York, uses storytelling, myth-making, and character-building to create fictional worlds (complete with android-like beings) that fuse the organic and the technological.
La cerámica manda: Una Conversación con Santiago Lena
Santiago Lena, nacido en Puerto Madryn, se define como artista ceramista, una especialidad que lo lleva a explorar diversas técnicas y utilidades que le da a sus obras.
Phyllida Barlow: Sculpture 1963–2023
Barlow’s work is rooted in relationships—the relationship of the viewer to the object, and the object’s relationship to the viewer. Those relationships are, of course, mutable, as audiences navigate in, around, and through the spaces occupied by her sculptures and installations.
Vessels for Emotion: A Conversation with Heike Kabisch
Heike Kabisch’s work explores themes of “vulnerability, transformation and the complexities of the human condition.” In “Memories in deep creeks,” her current solo exhibition at ChertLüdde in Berlin, Germany, she turns to the mysterious ocean and its secret depths, with organic and anthropomorphic forms that map connections and distinctions.
Michelle Lopez and Ester Partegàs
SAN FRANCISCO Wattis Institute for Contemporary Arts Both artists describe engaging in a direct dialogue with materials, without preconceived ideas of the outcome. Lopez has talked about the pleasure she derives from the experiences engendered by such directness—the physicality of exerting force, finding form through interaction.
Stepping Into Who I Am: A Conversation with Nick Cave
Nick Cave’s recent work is forging new directions, merging art, nature, and self into vehicles for loving, meaningful connections. “Amalgams and Graphts,” his current exhibition at Jack Shainman Gallery’s new Tribeca location, debuts two bodies of work that challenge viewers to open themselves to love, emotion, and connection.
Richard Shaw and Reniel Del Rosario
SAN RAFAEL, CALIFORNIA Marin Museum of Contemporary Art As described by Natasha Boas, co-curator with MOCA director Jodi Roberts, part of the impulse behind the exhibition was the “idea of artistic transmission and influence across generations.” The show also investigates how the tangled messes of our everyday lives can engender transcendent art.
Cuando la luz pinta: Una Conversación con Juan Ignacio Cabruja
Licenciado en Bellas Artes de la UNR en la ciudad de Rosario, donde nació, y cursando una Maestría en teoría y estéticas de las artes electrónicas en UNTREF, Juan Ignacio Cabruja trabaja con la luz como materia prima, indagando cómo opera y afecta el espacio que habitamos tanto con su presencia como en su ausencia.
Here Is Elsewhere: A Conversation with Johan Muyle
Belgian artist Johan Muyle found his voice 40 years ago with La Modification (1984), an aptly named assemblage sculpture that borrows its title from Michel Butor’s celebrated 1957 novel. Consisting of a recliner attached to ropes and nooses, with a crate suspended between bicycle wheels placed behind, the entire ensemble evokes an instrument of torture or execution.
Camille Henrot
NEW YORK Hauser & Wirth While these works inspire free association and advocate for the importance of the imagination—implying that the grid’s rubric of rules and orderliness can be disrupted—other sculptures inquire into the nature of art-making and the desire to break completely free of formal boundaries.
