November 2011

“Italian Sculpture of the XXI Century”

MILAN Fondazione Arnaldo Pomodoro For “Italian Sculpture of the XXI Century,” curator Marco Meneguzzo selected works by 80 artists, ranging from elder statesmen (Nunzio and Dessì) to mature artists of the next generation (Cattelan, Bartolini, Dynys, Arienti, Moro, Beecroft, Cecchini, Sissi, Demetz, and Cuoghi), to younger, up-and-coming artists (Sassolino, Simeti, Previdi, and Gennari).

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John Beech

NEW YORK Peter Blum Gallery Favoring simple constructions that look back to the heyday of New York Minimalism in the 1960s, John Beech works just a bit differently from the artists whose work has so strongly influenced him.

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Ayano Ohmi

NEW YORK Ceres Gallery Ayano Ohmi, a long-time resident of New York City, originally comes from Japan. Her recent show featured groupings of slender totems that belong to neither the Western nor the Asian tradition; instead, they relate to the now worldwide experience of modernity.

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Mags Harries

BOSTON Boston Sculptors Gallery Mags Harries is interested in starting conversations through sculptural chairs. Occasionally she builds them so people can sit in them and talk, but more often, at least in the works in this show, people will talk about them rather than in them.

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John Gibbons: Abstraction and Being Human

Visitors entering London’s National Portrait Gallery during the eight months between mid-September 2009 and mid-May 2010 were confronted by five mysterious, wall-mounted objects at the top of the long stair leading to the second-floor galleries. “John Gibbons: Portraits” was part of NPG curator Paul Moorhouse’s “Interventions Series,” a program focusing on “20th-century artists who have

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