Boston Boston Sculptors Gallery Leslie Wilcox’s signature material has long been metal screening, the ordinary kind used to cover windows in summer. She built her career on quasi-figurative works made out of it, empty dresses and the like, generally suggesting people but not in any literal way.
March 2015
Kyoko Hazama
Delray Beach, Florida Morikami Museum and Japanese Gardens “From a Quiet Place: The Paper Sculptures of Kyoko Hazama” was organized by Susanna Brooks, the Morikami Museum’s curator of Japanese art. The Morikami, which collects and exhibits Japanese art, is thoughtfully designed, grounded by concepts that govern traditional architecture in Japan, but reinterpreted to reflect a
Helen Pashgian
Los Angeles Los Angeles County Museum of Art The darkened rectangular chamber on the entry level of the Art of the Americas Building at LACMA was illuminated by a series of 12 columns running down its center in a straight line.
Jeff Koons: A Supreme Trouble-Maker in Crowd-Pleasing Clothes
For a moment, let’s look at the work of Jeff Koons in its artistic and cultural context, separating it from issues having to do with production, financing, promotion, and reception—for the latter have received ample attention in the wake of the artist’s retrospective at the Whitney Museum of American Art.
Michael Cooper: Mastery with a Message
It looks like an ordinary tricycle that any three-year-old might ride. But it’s made entirely of wood (wenge and sycamore), and if you give it more than a passing glance, you notice a wooden gun mounted under the seat, pointing in a forward direction.
Sculpture as Haiku: A Conversation with Hidetoshi Nagasawa
Hidetoshi Nagasawa was born in 1940 in Tonei, Manchuria, where his Japanese parents were located because his father was an army doctor. During the war, when Soviet forces attacked Manchuria, the Nagasawas fled back to Japan and settled near Tokyo.
Fusion: A Conversation with Rachel Kneebone
British sculptor Rachel Kneebone uses porcelain to create deeply psychological and sensual tableaux of contorted bodies and limbs. I first came across her work at the Brooklyn Museum, where it was paired with the sculpture of Auguste Rodin in the exhibition “Regarding Rodin” (2012).
