Boston HarborArts Outdoor Gallery HarborArts Outdoor Gallery not only features a permanent collection of large-scale sculpture, it also hosts temporary exhibitions at the Boston Harbor Shipyard and Marina. Located in East Boston, directly across the harbor from the Institute of Contemporary Art, the 14-acre shipyard offers its grounds, walls, and roofs to artists with the
January/February 2014
Frieze New York 2013
New York Randall’s Island Park With Paul McCarthy’s 60-foot-tall Balloon Dog leading the way, sculpture made a strong showing at Frieze New York 2013. Nearly every gallery displayed three-dimensional work, often involving installation or non-traditional materials, making it clear that sculpture can be made from and be just about anything these days.
Anonymous Exchanges: A Conversation with Shinique Smith
Shinique Smith’s sculpture, paintings, and collages reflect the belief that possessions reveal identity, create personas, and confer power. She is a student of the social totems represented by clothing and furnishings, observing how they perform along a spectrum of duty, beginning with function and ending as narrative.
Beyond the Canvas: A Conversation with Annette Lemieux
Annette Lemieux, who was raised in Torrington, Connecticut, grew up in an atmosphere of Yankee pragmatism. Though she was expected to go to secretarial school after graduating from Catholic grammar school and public high school, she elected instead to pursue a degree in the arts.
Steven Claydon
Los Angeles David Kordansky Gallery In this exhibition, English artist Steven Claydon presented a group of sculptures that, despite their conceptual nature, are oddly traditional and highly theatrical. The work is concerned with communicating connections between matter and information, meaning and status.
In Search of Universal Dialogue: A Conversation with Jackie Sleper
In a highly unusual mixture of schooling, Utrecht-based Jackie Sleper studied at both the College of Agriculture and Horticulture (now Wellantcollege) and the Utrecht Academy of Visual Arts. While art school honed her technical skills, “farmer’s school,” as she likes to call it, taught her about the fragility of life, the sanctity of nature, and