Archaeology of Time: A Conversation with Claudia Aranovich

One could describe sculptor Claudia Aranovich as Argentine, female, Jewish, artist, feminist, contemporary, in this order or any other. But she has transcended confining attributes by creating a body of work that is surprisingly diverse and beautifully universal: transparent resins acquiring organic, fertile shapes, aluminum masks apparently cast from dead people, small resin friezes hosting

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Daniel Buren

Palermo Lo Spasimo Santa Maria del lo Spasimo (known as Lo Spasimo) in Palermo symbolizes not only the recent renewal of the city but also five centuries of evolving culture and history… for the full review see the print edition of May 2001’s Sculpture magazine.

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