In the late afternoon light of the Western Nevada desert, the hard work of sand spiders becomes visible when the sun angle is just low enough to be caught by the glistening dew. This is the world that inspires Linda Fleming, a world apparent only out of the corner of one’s eye.
Archive
Giuseppe Penone
Rome Perched like a crown on the cap of the…see the full review in October’s magazine.
Jaume Plensa: The Shock of the Known
When Descartes deduced cogito ergo sum or when Einstein concluded that E=MC2, they formulated ideas of such incisive simplicity that we intuitively accept them as right. No matter that few of us are qualified to follow their precise reasoning, it is enough that such complex deductions have been so succinctly distilled and have thus entered
Markus Schaller
Berlin By suppressing consciousness, the Surrealist…see the full review in October’s magazine.
Tatsuo Kawaguchi
Kobe City, Japan Tatsuo Kawaguchi is not your typical Japanese…see the full review in October’s magazine.
David Kimball Anderson
Salt Lake City Late in his creative life, 20th-century artist…see the full review in October’s magazine.
Annette Messager
Paris Annette Messager’s retrospective, “Le Messagers,” took over…see the full review in October’s magazine.
Teraneh Hemami
San Francisco Taraneh Hemami’s installation Most Wanted initially…see the full review in October‘s magazine.
Dani Karavan: New Work in France, Germany, and Japan
Although the character of Dani Karavan’s site-specific outdoor interventions varies greatly, his basic vocabulary of geometric forms and innovative use of nature—light, wind, water, and sun—has remained unchanged since Negev Monument (1968), an early, seminal work in Israel.
