Born in Buffalo, New York, George Smith studied in New York and San Francisco. During the 25 years that he has lived in Houston, his style has evolved dramatically, from stylization to self-contained invention, from love of tradition in African architecture and sculpture to a daringly abstract and synthetic discourse that encompasses geometric shape, color,
Archive
Myron Helfgott: Recent Multimedia Installations
In recent years, Myron Helfgott has developed a series of room-sized sculptural installations whose visual elements are, in a sense, held together by sound. Carefully orchestrated to draw viewers psychologically into the space, his audio tracks draw the work out and slow down the viewing process by enticing viewers to linger and listen.
Michael Rakowitz
New York ln his recent work, Michael Rakowitz assumes…see the full review in November’s magazine.
Recycling Information: A Conversation with Perino & Vele
Emiliano Perino was born in New York in 1973; his parents returned the family to Italy when he was nine years old. Luca Vele was born in Rotondi, a small southern Italian village about 52 kilometers inland from Naples, in 1975.
Hirokazu Fukawa
Hartford, Connecticut Hirokazu Fukawa’s recent installation offered a variety of…see the full review in November’s magazine.
Roy Ananda
Sale, Victoria, Australia Over the past six years, Roy Ananda has…see the full review in November’s magazine.
Tony Cragg
Karlsruhe, Germany One of Britain’s foremost contemporary sculptors…see the full review in November’s magazine.
Between Earth and Sky: Anita Glesta
One could say that the history of humankind has unfolded between earth and sky, because sitting, standing, lying down—moving or static—the human body takes up space; it informs and activates any environment, physically as well as socially and spiritually.
Richard Clements
Milan Richard Clements’s Untitled (Woodpile) (2008) is a stack…see the full review in November’s magazine.
Contemporary Sculpture at Chesterwood
Stockbridge, Massachusetts Sculptors siting work outdoors can contradict…see the full review in November’s magazine.