Brilliant Rubbish: A Conversation with Robert Cherry

Commanding the east window of Robert Cherry’s hillside studio, which he shares with his wife, painter Seraphine Pick, is the air traffic control tower of the Wellington Airport. Beyond, on the far horizon, one may glimpse a stony suburban seashore where the artist and his young son Joseph once beach-combed flotsam—forlorn, sometimes unidentifiable, mostly plastic,

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Bettina Landgrebe

MARFA, TEXAS Chinati Foundation Beaten with a Hammer, a multimedia installation by Bettina Landgrebe, offered a poignant and powerful elegy for the nearly 1,000 women who have been brutally tortured and murdered in the borderlands around Juárez, Mexico, since 1993.

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Jongsun Lee

UTICA, NEW YORK Sculpture Space During her two-month residency at Sculpture Space, Jongsun Lee, a peripatetic artist and social sculptor, produced thousands of hand-shaped rice bowls in the studio by day and presented several interactive performances off site in the evening.

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La Wilson

HUDSON, NEW YORK John Davis Gallery Now in her mid-80s, Ohio-based, primarily self-taught La Wilson has long made resonant, even transgressive-feeling assemblage works. Her signature form is the box, which she uses to hold compositions made up of everyday objects, very much like a conventional frame provides a border for a painting’s pictorial space.

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