Brilliant Rubbish: A Conversation with Robert Cherry

Commanding the east window of Robert Cherry’s hillside studio, which he shares with his wife, painter Seraphine Pick, is the air traffic control tower of the Wellington Airport. Beyond, on the far horizon, one may glimpse a stony suburban seashore where the artist and his young son Joseph once beach-combed flotsam—forlorn, sometimes unidentifiable, mostly plastic,

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Bettina Landgrebe

MARFA, TEXAS Chinati Foundation Beaten with a Hammer, a multimedia installation by Bettina Landgrebe, offered a poignant and powerful elegy for the nearly 1,000 women who have been brutally tortured and murdered in the borderlands around Juárez, Mexico, since 1993.

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Wilhelm Mundt

BERLIN Buchmann Galerie Wilhelm Mundt’s boulder-shaped sculptures are immediate, yet they seem to be all about process and duration. They are also physically polished and perfect. Mundt has been making these brightly colored “Trashstones,” as he calls them, since 1989.

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Jongsun Lee

UTICA, NEW YORK Sculpture Space During her two-month residency at Sculpture Space, Jongsun Lee, a peripatetic artist and social sculptor, produced thousands of hand-shaped rice bowls in the studio by day and presented several interactive performances off site in the evening.

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