SAN ANTONIO McNay Art Museum Sandy Skoglund, a multimedia artist whose work encompasses photography, sculpture, and installation, is perhaps best known for Radioactive Cats (1980), a photograph in which dozens of neon green cats infiltrate a drearily gray kitchen, its inhabitants somehow oblivious to the infestation.
Modelando mundos: Una conversación con Andrés Pasinovich
Artista visual y músico, Andrés Pasinovich aborda su formación de la mano de destacados artistas argentinos tales como Eduardo Medici, Marina De Caro, Ana Gallardo y el CIA (Centro de Investigaciones Artísticas). Su obra toma el espacio haciendo uso de distintos lenguajes visuales y técnicas donde las instalaciones juegan un rol clave, amalgamando propuestas en
Nafís M. White: Forms of Change
Nafís M. White transforms commonplace objects and materials into works of profound aesthetic and cultural resonance. Her Providence studio, filled with raw materials, emanates creative energy—like an art lab for unquantifiable experiments. Colorful Oculus sculptures hang on the walls, their braids and coils dynamically winding and undulating into circular shapes in an array of vivid
Primal Force: A Conversation with Delcy Morelos
Bogotá-based Delcy Morelos envisions Madre—her new earthwork currently on view at Hamburger Bahnhof in Berlin—as both a mountain and a home, matter and nourishment. Combining clay, water, wood, cinnamon, and earth sown with European wheat and South American chia seeds, the work confronts visitors with a monumental and multisensory living presence.
Fuerza primordial: Una conversación con Delcy Morelos
La artista colombiana Delcy Morelos envisiona Madre—su nueva “earthwork” actualmente instalada en el Hamburger Bahnhof de Berlín—como montaña y casa, materia y nutrimiento. La obra, que contiene arcilla, agua, madera, canela y tierra, la ultíma con cascarilla de semillas de trigo europeo además de chía suramericana, presenta a los visitantes con una presencia vital y
Mella Shaw
DUNDEE, U.K. The McManus Shaw’s large-scale sculptural forms, which take the whale’s tiny inner-ear bones as their point of reference, are made from a clay body that incorporates whale bone ash, processed much like the cow bones that have been used in bone china for centuries.
Ro Robertson
SUNDERLAND, U.K. Northern Gallery for Contemporary Art In such interstitial spaces—temporarily land and temporarily water—Robertson has found a natural corollary for their sense of self, an identity in similar motion, once condemned as being against nature.
Alberto Giacometti and Mona Hatoum
LONDON Barbican Hatoum’s deployment of geometry and abstraction transcends the specific, yet the threat of violence is always close at hand.
Emotional Vestiges: A Conversation with Jessica Trosman
Buenos Aires-based Jessica Trosman began her career in fashion design, launching the brand Trosmanchurba with Martín Churba in 1997 and her eponymous brand in 2002. Her fashion practice took her around the world, especially Japan, and work in her textile laboratory generated prestigious collaborations with haute couture houses such as Chanel and Rick Owens.
Jessi Reaves
MINNEAPOLIS Walker Art Center Much of the material in these works, including cotton batting, velvet, sewing pins, mink fur, and hangers, points to classic markers of the domestic feminine. But Reaves’s approach to destruction and repurposing does not completely refute these themes and tropes; instead, it feels more like an acknowledgement and remixing.
