Cosima von Bonin

LONDON Raven Row von Bonin’s installations, which combine found objects and handmade elements, retain a deliberate looseness aligned with her Cologne milieu of the 1990s—an anti-heroic sensibility that dismantles the cult of authorship, authenticity, and artistic genius.

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Lauren Grossman

SEATTLE Traver Gallery Cocked (2020), with its cage of interlocking steel rods, summons up the classical sculptural convention of contrapposto; bending to one side, the viewer vicariously enters into dialogue with the captive figure, complete with black cast-iron ears.

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Eugene Macki

PITTSBURGH Mattress Factory Without a doubt, it is the visitor who is destined to activate this uncanny field of objects and to find meaning through his or her own experience and reimagining. As Ilya Kabakov has said: “The main actor in a total installation, the main center toward which everything is addressed, for which everything is intended, is the viewer.”

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