New York Paula Cooper Gallery There has always been something bewitching about Hobert Grosvenor’s sculpture… see the print version for the full review.
Catherine Widgery: Lost Sense
Catherine Widgery’s sculpture eloquently addresses the devastation of the environment and the dichotomy of nature and culture …see the full review in July/August’s magazine.
Nancy Grossman: Opus Volcanus
Opus Volcanus, 1994. Leather, wood, metal, rubber, acrylic, 50 x 80.125 in. Photo: Larry Lamay. The challenge in coming to terms with the art of Nancy Grossman is an internal one. To see one of her ferocious life-size heads, bound in black leather, zippered-up, with protruding features and gnarled teeth, all exquisitely carved and crafted,
The Legacy of Alexander Calder
Alexander Calder in his Roxbury studio, 1941. July 22, 1998, will mark the centenary of Alexander Calder’s birth, and it is time to assess Calder’s legacy to sculpture. A current retrospective at the National Gallery of Art in Washington, D.C.,
At the White House: The First Lady’s Sculpture Garden
Robert Therrien, No Title, 1985. Bronze, 90 x 32 in. First Lady Hillary Rodham Clinton, an avid fan of contemporary art, has quietly introduced 20th-century American sculpture to approximately six million visitors to the White House over the past four years.
Goran Petercol
Ljubljana, Slovenia Skuc Gallery Croatian artist Goran Petercol based his recent installation. lsland III (1996-97), exhibited with nine other pieces… see the print version for the full review.
