St. Louis A.D. Brown Building Stacey R. Chinn, Untitled, 1997-98. Mixed media, installation view. The recent popularity of toy-themed sculptures in no way prepares one for James Higdon’s series of works titled So Much, So Many.
Gary Keown
New Orleans The Contemporary Arts Center Glancing in the mirror at a woman stepping onto a stair landing, the protagonist of Charlotte BrontesViIIette realizes almost instantly that she has seen herself for the first time “as others see her.”
Contemporary Outdoor Sculpture 5
Exeter, NH Moses-Kent House Lucy Hodgson, Steeplepeepers, 1998. Wood, shingles, and maple saplings, 10 x I ft ln its fifth year, the summer sculpture show on the grounds of the Victorian Moses-Kent House in Exeter N.H.
Tony Oursler
District of Columbia Video Dolls with Tracey Leipold Hirshorn Museum and Sculpture Garden Tony Oursler. Side Effects,1999. Mixed media with video projection. Performances by Tracy Leipold, 68.5 x 22.75 x 9.5 in. Tony Oursler’s recent exhibition at the Hirshhorn Museum announced itself with a jangle of human voices that sounded like a Hollywood version at
Jill Weinstock
San Francisco
Andy Goldsworthy
Los Angeles
Tim Hawkinson, Jannis Kounellis
Los Angeles
Liz Larner
Los Angeles
Re-Approaching Tony Smith
Light Up, 1971. Painted steel, 21 x 16.5 x 28.75 ft. Light Up, 1971. Painted steel, 21 x 16.5 x 28.75 ft. Once in a rare while you come across a public sculpture that so transforms the space its in that it takes your breath away, and you return again and again to see if
Experience, Complicity & Quality
Aesthetic experience is used to serve so many competing economic and political interests that we must be as clear as possible about why we value art…see the full review in November’s magazine.
