Foon Sham’s sculptures, made from blocks of salvaged wood, fit together like pieces of intricate puzzles, with gaps inviting the play of light.
Sreshta Rit Premnath
CAMBRIDGE, MASSACHUSETTS MIT List Visual Arts Center Premnath combines a Minimalist context with Arte Povera sociopolitical influences, conveying a narrative that invites reflection on the psychic weight of waiting in relation to the exclusionary experiences of displacement, incarceration, immigration, and disability.
Honest Shapes and Arrested Motion: A Conversation with Mary Shaffer
Mary Shaffer, since her early days at RISD, has moved from painting to installation and sculpture, from experimentation to mastery.
Rachel Kneebone
LONDON White Cube Mason’s Yard Seen in conjunction with the drawings, the sculptures became balletic, taking an unexpected turn away from the tragedy that inspired them. The overspilling, extended limbs, now recalling the stylized grace of synchronized swimmers, created an uncanny tension—as in Géricault’s painting—between the sublime and the monstrous, hope and despair, order and chaos.
Turning Things Inside Out: A Conversation with Mel Kendrick
Mel Kendrick’s forte is making new things. As a student, beginning in 1971, he studied with Tony Smith and Robert Morris at Hunter College in New York and worked for Dorothea Rockburne. He also became friends with Mel Bochner, Sol LeWitt, and Robert Smithson at Max’s Kansas City.
Obras entre Sentidos: Una Conversación con Sebastián Tedesco
Artista visual, diseñador industrial, curador, investigador y emprendedor en el campo de la tecnología y la biotecnología, el argentino Sebastián Tedesco desarrolla su obra desde una perspectiva que entiende al arte como una idea en elaboración de manera constante.
Diana Al-Hadid
SEATTLE Henry Art Gallery, University of Washington Realized through extraordinary material accretion, Al-Hadid’s works assemble countless fragments that struggle to coalesce into a complete whole.
Anicka Yi
LONDON Tate Modern It is impossible not to marvel at these floating entities—Yi calls them “aerobes”—programmed using Artificial Life software, which employs biologically inspired processes to give machines perception, motivations, and decision-making tools that allow them to respond independently to changes in their surroundings.
Moffat Takadiwa
LOS ANGELES Craft Contemporary The Anthropocene is the skeleton in the closet of 21st-century imagination. The consequences of more than a century of hyper-consumerism are everywhere apparent, inescapable, part of the environment and the air we breathe.
Abandoned Utility: A Conversation with Sean Donovan
Sean Donovan, an emerging artist living in Brooklyn, uses sculpture, video, and printmaking to call attention to environmental degradation. His works, which repurpose—and sometimes replicate—abandoned objects, including chemical containers and plastic bags, expose the myopic thinking and avaricious behavior that result in unchecked consumer and industrial waste, pollution, and a poisoned planet.
