Washington, DC Numark Gallery Claudia Matzko s recent show revealed the honing of a spare and finely tuned language that excels in subtle complexity… for the full review see the print edition of January/February 2001’s Sculpture magazine.
The 2000 DeCordova Annual Exhibition
Lincoln, MA Quirky takes on the natural world were exploited by the sculptors and installation artists at this years DeCordova Annual… for the full review see the print edition of January/February 2001’s Sculpture magazine.
“Wonderland”
St. Louis St. Louis Art Museum “Wonderland” revisited 18th-century notions of inspiration and landscape… for the full review see the print version of January/February 2001’s Sculpture magazine.
Chris Gianakos
New York Stark GalleryCrosby Street Project Space A huge black square confronts the visitor to Stark Gallery’s Crosby Street project Space… for the full review see the print edition of January/February 2001’s Sculpture magazine.
Michel Gerard
New York Folin/Riva In “Same and Different,” his recent exhibition of sculpture, drawing, painting, and photography, Michel Gerard interprets the dualities of everyday life and their connection to form and function… for the full review see the print version of January/February 2001’s Sculpture magazine.
Franco Mondini-Ruiz
New York El Museo del Barrio The name Tenochtitlan usually conjures up notions of ancient Mexico City rising out of watery lowlands in 14th-century Mesoamerica… for the full review see the print version of January/February 2001’s Sculpture magazine.
Pipilotti Rist
New York Luhring Augustine Gallery A deft touch in art-light yet to the point-is rare, the knack for which is probably something you have to be born with and which is essential in that new genre of art based on the paradigm of entertainment… for the full review see the print edition of January/February 2001’s
Carol Ross
New York Janos Gat Carol Hoss makes aluminum laminate sculptures that reference both the recent past (the Minimalism of Donald Judd and Richard Serra) and an older past (the classic geometric Modernism of Malevich and Mondrian)… for the full review see the print version of January/February 2001’s Sculpture magazine.
