Mary Longman, Strata and Routes, 1998. Cotton wood, stone, concrete, plaster, and photo emulsion, 6 x 5 ft.

“Reservation X, The Power of Place in Contemporary Aboriginal Contemporary Art”

New York

National Museum of the American Indian

The success of “Reservation X” lies in a notion central to contemporary native art-the belief that collective experience is not only deeply political but also aesthetic and ethical… for the full review see the print edition of May 2001’s Sculpture magazine.