Archaeology of Time: A Conversation with Claudia Aranovich

One could describe sculptor Claudia Aranovich as Argentine, female, Jewish, artist, feminist, contemporary, in this order or any other. But she has transcended confining attributes by creating a body of work that is surprisingly diverse and beautifully universal: transparent resins acquiring organic, fertile shapes, aluminum masks apparently cast from dead people, small resin friezes hosting

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Daniel Buren

Palermo Lo Spasimo Santa Maria del lo Spasimo (known as Lo Spasimo) in Palermo symbolizes not only the recent renewal of the city but also five centuries of evolving culture and history… for the full review see the print edition of May 2001’s Sculpture magazine.

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“From Idea to Matter”

Richmond Virginia Commonwealth University Anderson Gallery Curated by Edward Albee, “From Idea to Matter” reveals the playwright’s conviction that “sculpture asks a more complex suspension of disbelief on the part of the viewer,… for the full review see the print edition of May 2001’s Sculpture magazine.

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Paul Sutinen

Marylhurst, OR The Art Gym and Marylhurst University Campus The title of Paul Sutinen’s exhibition “lncidents and ldeas, 1975-2000” suggests the nature of his work in and around Portland, Oregon, during the past quarter century… for the full review see the print edition of May 2001’s Sculpture magazine.

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Doris Salcedo

New York Alexander and Bonin Colombian sculptor Doris Salcedo first gained international attention with her series “Attrabiliarios,”… for the full review see the print edition of May 2001’s Sculpture magazine.

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