Andrzej Bednarczyk, Angels’ Whispers. View of work as installed in the sculpture park at Oronsko. The Center of Polish Sculpture in Oronsko, located 120 kilometers south of Warsaw, is a singular institution devoted entirely to the creation, exhibition, and documentation of Polish sculpture.
George Segal
Philadelphia Locks Gallery During his 45-year career, George Segal witnessed a multitude of styles seize the art world for a day and then disperse… for the full review see the print version of January/February 2001’s Sculpture magazine.
Gabriel Orozco
Los Angeles Museum of Contemporary Art Gabriel Orozco’s survey exhibition, curated by MOCAs Alma Buiz and debuting in Los Angeles, is witty, poetic, and fun… for the full review see the print edition of January/February 2001’s Sculpture magazine.
“Remembering the Present”
Washington, DC Kreeger Museum “Remembering the Present” provided an exception to the Kreeger Museum s traditional exhibition menu… for the full review see the print edition of January/February 2001’s Sculpture magazine.
Claudia Matzko
Washington, DC Numark Gallery Claudia Matzko s recent show revealed the honing of a spare and finely tuned language that excels in subtle complexity… for the full review see the print edition of January/February 2001’s Sculpture magazine.
The 2000 DeCordova Annual Exhibition
Lincoln, MA Quirky takes on the natural world were exploited by the sculptors and installation artists at this years DeCordova Annual… for the full review see the print edition of January/February 2001’s Sculpture magazine.
“Wonderland”
St. Louis St. Louis Art Museum “Wonderland” revisited 18th-century notions of inspiration and landscape… for the full review see the print version of January/February 2001’s Sculpture magazine.
Chris Gianakos
New York Stark GalleryCrosby Street Project Space A huge black square confronts the visitor to Stark Gallery’s Crosby Street project Space… for the full review see the print edition of January/February 2001’s Sculpture magazine.
Michel Gerard
New York Folin/Riva In “Same and Different,” his recent exhibition of sculpture, drawing, painting, and photography, Michel Gerard interprets the dualities of everyday life and their connection to form and function… for the full review see the print version of January/February 2001’s Sculpture magazine.
