NEW YORK Martos Gallery Simms’s repetitive binding brings to mind the work of Jackie Winsor and Eva Hesse, and he shares with them an embrace of process and industrial materials.
Céline Condorelli
EDINBURGH Talbot Rice Gallery, University of Edinburgh Before becoming an artist, Condorelli studied architecture. Here, she draws on the work of several Modernist architects, including the postwar playgrounds of Aldo van Eyck in Amsterdam and Lina Bo Bardi’s buildings in Brazil.
Between Two Knowns: A Conversation with Nathaniel Rackowe
Nathaniel Rackowe’s large-scale, futuristic works are fundamentally influenced by modern urban architecture. Spanning sculpture, installation, and public art, his practice is concerned with abstracting the metropolis into units of form.
Stefana McClure
NEW YORK Bienvenu Steinberg & Partner Every object in Stefana McClure’s recent exhibition, “I See You Seeing Me (Meeting the Female Gaze),” projected thoughts staring back at the viewer, turning printed texts that we all should know (but mostly don’t) into knitted and otherwise reconstructed sculptures.
Sculptural Highlights from “The Milk of Dreams,” 59th Venice Biennale
Following Carrington’s subversive fairytales, Alemani proposes dreaming as a powerful tool for nourishing resilience and imagining alternative futures.
Jupiter Artland: Centering Surprise
“I can’t bear sculpture parks that are ‘shop and plonk,’” says Nicky Wilson, director and co-founder (with husband Robert Wilson) of Jupiter Artland, a 100-acre sculpture park in a rural setting just outside Edinburgh, Scotland. “It’s never successful shoving a piece of sculpture on a bit of grass and then saying it’s a well-installed work.”
Donum: Experiencing Sculpture, Wine, and Landscape
The extraordinary outdoor sculpture experience at the Donum Estate begins as soon as the gates swing open and you enter its 190 acres of vineyards, grassy hillsides, ponds, and woods.
Sweet Violence: A Conversation with Claire Lieberman
The American sculptor Claire Lieberman is well known for her installations in which she combines materials such as marble, Jell-O, and video. Her practice explores a range of dichotomies—for example, the dialectic between “the sublime and the quirky, desire and danger, indulgence and guilt,” as she points out.
Whitney Biennial 2022
NEW YORK Whitney Museum of American Art “Quiet as It’s Kept,” the 2022 Whitney Biennial, fills two floors—one dark and labyrinth-like; the other bright and open—with works that explore the fluid and experimental nature of current art practice.
