Installation view of woven wire sculpture from the 1950s in “Ruth Asawa: Completing the Circle,” on view at the Oakland Museum of CaliforniaMichael Temperio Ruth Asawa has said that her breakthrough woven wire sculptures of the early 1950s were influenced by childhood memories of laboring on a truck farm in California during the Great Depression
Collecting Experience: A Conversation with Steven Oliver
Bruce Nauman, Untitled, 1998–99. Cast concrete, 30 in. wide; .5 miles long Photo: Wardell Photography. Entering the Oliver Ranch on a narrow climbing road, one suddenly encounters hundreds of white concrete steps cascading down the hill, crossing the road, and continuing below.
Declaring, Defining, Dividing Space: A Conversation with Richard Serra
Union of the Torus and the Sphere, 2001. Weatherproof steel, 142 x 447 x 125 in.Photo: Courtesy of Gagosian Gallery. “Richard Serra: Torqued Spirals, Toruses and Spheres,” the artist’s most extensive exhibition of major sculpture in New York since his 1986 retrospective at the Museum of Modern Art, took place last fall at the Gagosian
The Reichstag
Berlin The wrapping of the Reichstag in…see the full review in September’s magazine.
Stan Douglas
London There can be no doubt that film and…see the full review in September’s magazine.
Gerard Tsutakawa
Seattle Some sculptors today face the…see the full review in September’s magazine.
Joseph Whitt
Nashville With its tragi-comic glimpses…see the full review in September’s magazine.
Richard Paul Gribenas
Pittsburgh I/O, which is short for input/output…see the full review in September’s magazine.
John Atkin
Philadelphia The drawings and small sculptures…see the full review in September’s magazine.
